8legs: Vulture

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#1 out of 3

The Reminders of Him film is described as adequately constructed but emotionally muted, lacking dramatic spark.
Maika Monroe and Tyriq Withers are praised for potential, yet the review finds their chemistry insufficient to elevate the story.
The reviewer notes the film relies on familiar romance tropes and traditional tropes rather than offering new angles.
Kenna’s and Ledger’s romance is shown with montage-like moments rather than meaningful dialogue about their past and future.
The piece argues the film’s tone is held back by a fear of deviating from a safe, conventional romance.
Overall verdict: Reminders of Him is memorable in name but not in impact, failing to leave a lasting impression.
The review highlights the film’s execution as faithful to page but dull on screen, suggesting it might work better on the page.
Director Vanessa Caswill and co-writer Lauren Levine are noted for sticking to Hoover’s themes without adding cinematic depth.
The review identifies the film as a test of how far viewers will lower their standards for romance on screen.
The critic suggests the film fails to deliver tension or genuine romantic chemistry, reducing emotional payoff.

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#2 out of 3

Kaplow explains the film centers on Lorenz Hart, using a voice that plausibly reflects his work while set in 1943 Broadway culture.
He notes Oklahoma! is beloved but also seen as corny, a tension Hart would have experienced while watching it.
Kaplow discusses Hart’s lyricism as witty, heartfelt, and sometimes self-loathing, shaping how the film treats gay life in 1943.
The interview reveals Elizabeth as a fictional anchor for Hart’s unrequited love, highlighting the personal in Hart’s story.
Kaplow explains the coatroom scene runs 14 minutes and demonstrates Linklater’s preference for intimate, word-driven cinema.
He compares Hart’s style to Noël Coward and notes Hart’s influence on later writers like Sondheim.
Kaplow acknowledges Oklahoma!’s innovation in character-driven song placement, even as he critiques its themes.
Sondheim is included in a cameo to reflect intergenerational views of Hart and to link Hart’s legacy to later Broadway minds.
Kaplow discusses the potential of Hart’s influence surviving in future works beyond his lifetime.
He reflects on the broader impact of Hart and Rodgers on American musical theater and the evolution of the form.

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#3 out of 3

SXSW debut of Pretty Lethal positions Uma Thurman at the center of a high-energy ballerina action story.
Director Vicky Jewson aims to tell a female-led action story through sisterhood and empowerment.
The cast trained three weeks in ballet and stunts to perform action sequences.
Thurman describes the film as gratifying, highlighting women cooperating and pushing the medium.
Freund notes the script was developed over years and reflects a tough girlfriends group.
The inn setting and eerie atmosphere are central to the film’s plot and tension.
The film aims to blend ballet aesthetics with brutal action, as described by cast and crew.
SXSW audiences reportedly cheered during the premiere’s early moments.
Pretty Lethal is slated for release on March 25.
Vulture reports the film centers on female empowerment and collaboration.

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