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Top 2 venice film festival News Today

#1
‘A Sad and Beautiful World’ Review: Evocative Romance Spans Three Decades Against the Backdrop of a Country in Constant Crisis
#1 out of 2

‘A Sad and Beautiful World’ Review: Evocative Romance Spans Three Decades Against the Backdrop of a Country in Constant Crisis

  • The film traces a decades‑long romance between Nino and Yasmina set against Lebanon’s ongoing crisis.
  • Hasan Akil and Mounia Akl deliver chemistry that anchors the film’s emotional core.
  • The movie blends romance with Lebanon’s volatile history through time jumps and a magical realist lens.
  • Anthony Sahyoun’s electronic score adds a bright yet introspective mood to key scenes.
  • The film’s premise uses contrivances to support a larger meditation on fate and love.
  • Aris balances personal devotion with broader social turmoil, linking private choices to national limits.
  • The film is described as Lebanon’s Oscar entry with festival‑level visibility and scope.
  • Cyril Aris’s direction emphasizes visual energy, with kinetic editing and lively performances.
  • The narrative mirrors three decades of Lebanon’s economic and political upheaval through its couple’s arc.
  • The review notes the film’s tonal shifts from light romance to more somber reflections as circumstances change.
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#2
Carmen Maura on Tackling Her Most Demanding Role Yet in ‘Calle Malaga,’ Including Her First Nude Scene: ‘Now I’m Free! I Have Nothing to Prove’
#2 out of 2

Carmen Maura on Tackling Her Most Demanding Role Yet in ‘Calle Malaga,’ Including Her First Nude Scene: ‘Now I’m Free! I Have Nothing to Prove’

  • Maura discusses the demanding role in Calle Malaga and says the shoot pushed her beyond her comfort zone.
  • She reveals the studio asked for her first nude scene, a milestone she embraced as a sign of freedom.
  • Maura credits Touzani for pushing her and notes improvisation was not employed in the film.
  • She praises the Tangier shoot and the supportive environment around the production.
  • Maura emphasizes the film’s themes of aging, freedom, and desire as central to Calle Malaga.
  • Maura recalls meeting Pedro Almodóvar and early support in her career.
  • The interview was conducted at the Marrakech Film Festival, with notes on its reception at Venice and Mill Valley.
  • Strand Releasing will distribute Calle Malaga in North America.
  • Maura discusses future projects, including Alex de la Iglesia’s La cuidadora.
  • Maura’s reflections highlight her long career and enduring collaboration with notable directors.
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