8legs: Vanity fair

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#1 out of 4

Vanity Fair will relocate its Oscar night dinner and afterparty from Beverly Hills to LACMA in 2026, marking a major venue shift aligned with a new multi-year partnership.
The 2026 event will happen inside LACMA's David Geffen Galleries, a $750 million complex that opens to the public in April 2026.
Mark Guiducci, Vanity Fair's newly appointed global editorial director, will lead the move, imprinting his direction on the event.
Guiducci's background includes close work with Vogue and Conde9 Nast on Met Gala and Vogue World: Hollywood, signaling a Met Gala-esque approach.
LACMA's leadership frames the partnership as a chance to create new stories together amid the museum's opening of the David Geffen Galleries.
The move continues Vanity Fair's history of evolving Oscar-night venues, tracing a path from Morton0s to Sunset Tower and then Wallis Annenberg Center before this shift.
The partnership aligns VF with LACMA's Art+Film Gala, broadening cross-sector engagement among artists, filmmakers, moguls, models, and industry insiders.
Deadline's coverage notes that Guiducci's move reflects a strategic rebranding as VF's new leadership shapes the brand's global identity in tandem with LACMA.
The 2026 event date is set for March 15, signaling a precise schedule for VF's new LACMA-era celebration.
Overall, VF's relocation to LACMA with new leadership marks a broader shift in Hollywood's cultural ecosystem, leveraging museum space to host one of the industry's marquee events.

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#2 out of 4

David Lynch died at 78 after a battle with emphysema, marking the year with a notable loss in film and television.
Marianne Faithfull died at 78, years after expressing exhaustion with revisiting the 1960s era.
Roberta Flack passed away at 88 in New York City, noted for hits like Killing Me Softly With His Song.
Gene Hackman, Oscar-winner and Hollywood icon, died at 95 after a long career and later-life health issues.
George Foreman, boxing champion and entrepreneur, died at 76.
Val Kilmer, known for his magnetic presence, died at 65 after a battle with throat cancer.
Sly Stone, a pivotal figure in music, died at 82 after years of reclusion.
Diane Keaton died at 79 from pneumonia, leaving a lasting influence on Hollywood style.
D’Angelo, the reclusive musician, died at 51 from cancer, prompting tributes to his boundary-breaking sound.
Claudia Cardinale, the Italian screen siren, died at 87 in France, marking the end of an era of ’60s glamour.

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#3 out of 416.3K est. views

Sweeney insists she has never gotten work done, reinforcing her stance against cosmetic procedures amid ongoing rumors.
The lie detector segment includes lighthearted exchanges, including Seyfried joking about touching Sweeney, as both continue the candid discussion.
The polygraph examiner labeled Sweeney's answers as truthful, supporting her denial of cosmetic enhancements during the test.

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#4 out of 4

Tmz.com and 1 more

Sydney Sweeney reiterates that she has never had cosmetic breast procedures, a claim she reaffirmed during a Vanity Fair lie-detector segment and in subsequent coverage.
During the Vanity Fair test, the host asked if her breasts are real, and the lie-detector administrator validated her answer as truthful with a direct confirmation.
Sweeney has previously described in Glamour UK feeling self-conscious about her chest in high school and contemplating a reduction before her mother advised otherwise.
She credits her mother for steering her away from breast reduction, expressing gratitude for not pursuing it.
In broader interviews, Sweeney acknowledges a fear of needles and has stated she has never had cosmetic work, preferring to age gracefully.
Her Housemaid co-star Amanda Seyfried and Sweeney have publicly debunked cosmetic-surgery rumors in joint and separate interviews.
Sweeney’s ongoing press coverage frequently centers on body image and questions about cosmetic procedures during publicity tours.
She has opened up about needle phobia and medical experiences in interviews with Wired and other outlets.
Sweeney reflects on childhood body image and aging as part of her evolving stance on body confidence.
Her film The Housemaid is positioned to release later in December, contextualizing her career trajectory alongside the body-image discussions.

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