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#1
Letters to the Editor: Some words to remember from Joan Didion ahead of next year’s WGA negotiations
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Letters to the Editor: Some words to remember from Joan Didion ahead of next year’s WGA negotiations

  • Latest development centers on Didion’s writings as a lens for current 2026 contract talks in Hollywood.
  • Alan Paul cites Didion’s 1988 piece 'Strangers in Hollywood' as foundational to understanding industry dynamics.
  • Didion’s portrayal links earthquake chaos and housing market notes to broader critiques of Hollywood.
  • The letter emphasizes writers’ treatment by the industry and the risk of defection during strikes.
  • Didion’s observations about 'defection' during strikes remain a guide for 2026 negotiations.
  • The piece frames Didion’s work as a historical reference point for labor tensions in entertainment.
  • The letter-writer identifies Didion as a ‘labrador prophet’ figure for L.A.’s literary voice on industry power dynamics.
  • The article highlights Didion’s satirical approach to industry insiders and their interests.
  • The Letters to the Editor feature confirms the ongoing relevance of Didion’s critique.
  • The composition underscores the continuity between Didion’s era and today’s labor dialogue in Hollywood.
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#2
How The New Yorker’s Intricate Illustrated Covers Survived the Decline of Print Journalism (Exclusive)
#2 out of 2562.0 est. views100.00%

How The New Yorker’s Intricate Illustrated Covers Survived the Decline of Print Journalism (Exclusive)

  • Remnick says The New Yorker covers still resonate online and in print despite a flood of images daily.
  • Illustrated covers define the magazine’s identity, with every issue reflecting the moment and timeless art.
  • The New Yorker at 100 is explored in a Netflix documentary, linking covers to the publication’s centennial.
  • Remnick notes covers have historical resonance, including the 2001 Twin Towers silhouette.
  • Election-night cover in 2024 showcased a Trump silhouette, signaling moment-to-moment relevance.
  • An alternate Trump image — a yellow/orange bottle — was considered but not used.
  • The Harris cover with blended faces of Black trailblazers was not published.
  • The covers balance moment-specific urgency with timeless art, per Mouly.
  • The Netflix documentary The New Yorker at 100 frames the magazine’s cover tradition.
  • Remnick emphasizes that covers must compete with the online media landscape.
  • The piece frames covers as central to The New Yorker's enduring identity amid digital shifts.
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