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Top 2 sxsw film & tv festival News Today

#1
The radical 'silliness' of 'I Love Boosters' opens South by Southwest
#1 out of 2

The radical 'silliness' of 'I Love Boosters' opens South by Southwest

  • SXSW opened with Boots Riley's I Love Boosters and a star-filled premiere at the Paramount Theatre in Austin.
  • Keke Palmer and Demi Moore joined Riley for the opening-night Q&A about the film’s labor and political themes.
  • Riley described the film as silly yet important, aiming to address fascism and labor issues beyond a simple lecture.
  • Neon will release I Love Boosters on May 22, 2026, adding to the festival’s lineup of high-profile titles.
  • The Q&A featured multiple cast members, including Palmer, Naomi Ackie, Taylour Paige, Liu, Moore and LaKeith Stanfield, discussing collaboration and craft.
  • Palmer and Moore spoke about stepping into adventurous roles and the film’s risk-taking energy.
  • Riley highlighted the film’s mix of humor and social critique, urging broader audience reach.
  • The premiere included a playful exchange about fashion, labor, and the value of art.
  • XP event underscored the festival’s ongoing dialogue about politics and film.
  • Cast comments included humor about mistaken identity and real-life connections to the director.
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#2
How to treat your Oscars hangover, plus the week's best films in L.A.
#2 out of 2

How to treat your Oscars hangover, plus the week's best films in L.A.

  • The Times previews eight titles to watch at SXSW, including Joe Swanberg’s The Sun Never Sets.
  • The piece notes two archival screenings, including The English Patient in 35mm at the Academy Museum event.
  • Can She Bake a Cherry Pie? restoration receives LA screening details for Henry Jaglom’s 1983 film.
  • Slap Shot in 35mm screens at Aero, with insights on its controversial reception and defense by Dowd and Hill.
  • Jackass Number Two screening at Vidiots features Johnny Knoxville in person with memorable stunt details.
  • The article cites Oscar coverage from The Times’ Glenn Whipp and Amy Nicholson’s lists.
  • The piece frames SXSW as a lively festival hub for new and established cinema alike.
  • The article describes a diverse slate, including both narrative competition titles and archival restorations.
  • The newsletter links Oscar predictions and festival coverage to informed cinema history discussions.
  • The piece emphasizes the LA-based festival circuit as a key venue for cinema appreciation and discovery.
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