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Top 41 sxsw News Today

‘The Audacity’ Cast Explains Why Jonathan Glatzer’s Silicon Valley Dark Comedy “Feels Urgent” — SXSW Studio

#1 out of 4199.69%

entertainment1h ago

‘The Audacity’ Cast Explains Why Jonathan Glatzer’s Silicon Valley Dark Comedy “Feels Urgent” — SXSW Studio

Deadline.com

The Audacity centers on a data-mining CEO in Silicon Valley, exploring power, wealth, and ethical lapses.
SXSW Studio featured the cast, including Billy Magnussen and Meaghan Rath, on stage to discuss the show’s urgency.
The show questions privacy and how money compounds influence in tech culture.
There is a sense of urgency about the story, with a comment that the tale could become a headline quickly.
Deadline Studio at SXSW presented the show as part of a broader slate with coverage and interviews.
The Audacity is described as a darkly comedic drama about the ‘humanness’ behind tech ambitions.
Executive insights emphasize the show’s timely themes and the need to tell the story now.
Cast members describe a world where powerful tech leaders are still human and fallible.
The Audacity premiered at SXSW Studio as part of Deadline’s coverage of the festival.

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What Is Broken In America And How Do We Fix It? ‘Amerigo’s David McCourt Has Some Thoughts – SXSW

#2 out of 41

entertainment17h ago

What Is Broken In America And How Do We Fix It? ‘Amerigo’s David McCourt Has Some Thoughts – SXSW

Deadline.com

David McCourt presented Amerigo at SXSW, a docuseries probing whether the American Dream still exists.
McCourt aims to collect hopeful visions from a million Americans for PBS distribution.
The film questions whether corporate profits should translate into broader worker benefit and community investment.
McCourt warns about the decline of publicly funded media and the risks of AI amplifying societal problems.
Amerigo seeks to build a national conversation on the future of the country ahead of its 250th anniversary.
SXSW chat featured dialogue with filmmaker George Nolfi about Amerigo’s goals.
Amerigo plans to distribute gathered footage to PBS stations across the country.
McCourt links corporate profits and labor share to overall American economic health.
Amerigo’s broader aim includes exploring how the U.S. approaches its values during national milestones.

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Review: In too-timid Asian American assimilation horror ‘Slanted,’ something’s not quite white

#3 out of 41

entertainment15h ago

Review: In too-timid Asian American assimilation horror ‘Slanted,’ something’s not quite white

Latimes.com

The film centers on a Chinese American teen who seeks acceptance by changing her appearance with an irreversible procedure.
Two actresses play the same person, a device the review says convincingly handles Joan’s two identities across the story.
The movie links assimilation pressures to a satirical world where everyday brands are remade into symbols of American identity.
The reviewer credits Wang for taking a risky concept that challenges notions of race and belonging, despite some clichés.
Shirley Chen and Maitreyi Ramakrishnan deliver standout performances that anchor the film’s emotional core.
The film blends influences from Get Out and The Substance while aiming for a poignant meditation on identity.
The review notes the film’s critique of American consumer culture, rendered through satirical visuals.
The movie is described as English and Mandarin with subtitles, reflecting the protagonist’s bilingual experience.
The film opens in limited release, signaling a selective rollout for its provocative concept.

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The radical 'silliness' of 'I Love Boosters' opens South by Southwest

#4 out of 41

entertainment15h ago

The radical 'silliness' of 'I Love Boosters' opens South by Southwest

Latimes.com

SXSW opened with Boots Riley's I Love Boosters and a star-filled premiere at the Paramount Theatre in Austin.
Keke Palmer and Demi Moore joined Riley for the opening-night Q&A about the film’s labor and political themes.
Riley described the film as silly yet important, aiming to address fascism and labor issues beyond a simple lecture.
Neon will release I Love Boosters on May 22, 2026, adding to the festival’s lineup of high-profile titles.
The Q&A featured multiple cast members, including Palmer, Naomi Ackie, Taylour Paige, Liu, Moore and LaKeith Stanfield, discussing collaboration and craft.
Palmer and Moore spoke about stepping into adventurous roles and the film’s risk-taking energy.
Riley highlighted the film’s mix of humor and social critique, urging broader audience reach.
The premiere included a playful exchange about fashion, labor, and the value of art.
XP event underscored the festival’s ongoing dialogue about politics and film.
Cast comments included humor about mistaken identity and real-life connections to the director.

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Steven Spielberg reveals his next film is a Western with 'no stereotypes'

#5 out of 41

entertainment15h ago

Steven Spielberg reveals his next film is a Western with 'no stereotypes'

Aol.com

Steven Spielberg said he is developing a Western that will try to avoid genre tropes and stereotypes.
The project will include horses and guns, signaling a traditional Western framework with a modern twist.
Spielberg discussed the idea during a SXSW conversation with The Big Picture’s Sean Fennessey.
Spielberg has long teased a Western, indicating it has eluded him for decades.
The director cited John Ford’s influence as a source of cinematic inspiration for Westerns.
Spielberg has previously discussed Westerns in interviews and referenced past projects and interests.
The comments came as part of a broader look at Spielberg’s career and favorite genres.
Spielberg’s Western project is part of ongoing discussions about his future films and genres.
The interview linked Spielberg’s next project to his broader treatment of landscape and framing in cinema.
No release date was announced for the Western project during the SXSW discussion.

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‘Drag’ SXSW Review: Come for the Petty Theft, Stay for the Unexpected Serial Killings

#6 out of 41

entertainment15h ago

‘Drag’ SXSW Review: Come for the Petty Theft, Stay for the Unexpected Serial Killings

Variety.com

Two sisters break into a house only to get trapped, setting off a tense, darkly comic survival tale.
Lizzy Caplan and Lucy DeVito anchor the film with caustic humor and punishing physical comedy.
The film sustains tension for nearly 90 minutes, delivering a deliberately sharp, edgy tone.
Stamos, Ko, and the production design contribute to a claustrophobic, unsettling atmosphere.
The film positions itself as an opening-weekend premiere in SXSW’s Midnighter selection.
The narrative leans into a satirical angle on crime rather than a straightforward horror premise.
The cast includes Christine Ko as a flirtatious guest who plays into the mounting peril.
Patrick Stump provides the original score, contributing to the suspenseful tone.
The film is described as a “modest, resourceful exercise in gallows humor.”
The report notes a potential appeal for festival audiences despite grim content.

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‘Ready or Not 2: Here I Come’ Review: Samara Weaving Gets Trapped in a More Dangerous — and Luridly Preposterus — Game

#7 out of 41

entertainment17h ago

‘Ready or Not 2: Here I Come’ Review: Samara Weaving Gets Trapped in a More Dangerous — and Luridly Preposterus — Game

Variety.com and 2 more

Ready or Not 2 expands its deadly game world, introducing a global network of elite clans and a new council power struggle that ups the stakes while keeping Grace at the center.
Grace remains a magnet for violence and charisma, now partnered with her sister Faith, amplifying emotional tension as they confront broader, more lavish perils.
Elijah Wood steps into a morally opaque role as the Council lawyer, underscoring a clash between law, power, and savage ritual.
The film foregrounds a broader, globe-trotting elite network rather than a single family, expanding the social critique around wealth and power.
The visual and tonal shift leans more operatic and macabre, trading some restraint for a lavish, preposterous spectacle that still underpins the thriller core.
The wedding-time finale returns, escalating ceremonial depravity in a church-of-Satan setting that deepens the movie’s ritual dread.
New antagonists, including Sarah Michelle Gellar and Shawn Hatosy as the Danforth twins, inject sharper sibling rivalries and sharper social satire into the game.
The film maintains a thread of dark humor amid explicit violence, delivering the signature ‘garishly booby-trapped’ experience with a wink.
Despite a stronger cast, the sequel’s expanded lore necessitates exposition, occasionally stalling the pace as characters explain the rules and history of the game.
Grace’s chic, bloodstained look remains a visual signature, with fan enthusiasm at screenings echoing the first film’s reception.
Overall, the sequel delivers enough first-film pleasures to satisfy fans, while hinting at diminishing returns and prompting questions about future installments.

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ElevenLabs pledges to restore 1 million voices with AI at SXSW 2026

#8 out of 41

technology19h ago

ElevenLabs pledges to restore 1 million voices with AI at SXSW 2026

Mashable.com

ElevenLabs announced at SXSW 2026 a plan to restore voices for 1 million people with permanent voice loss using AI tools.
Rebecca Gayhart Dane, Eric Dane’s widow, joined the panel to promote the initiative and seek participants worldwide.
The program uses voice cloning to recreate a person’s voice from a short recording for real-time communication.
The initiative collaborates with accessibility nonprofits and disability foundations, including the Scott-Morgan Foundation.
ElevenLabs premiered the 11 Voices docuseries at SXSW to profile participants benefiting from the tech.
Experts acknowledge AI as capable of good use, despite debates on deepfakes and copyright at SXSW panels.
Gayhart Dane emphasized that restoring voices helps people feel like themselves and protect family connections.
The panel included Yvonne Johnson, a participant with ALS, who shared her experience with AI voice restoration.
The 11 Voices docuseries depicts real-life stories of people benefiting from the technology.
Mashable reports the broader tech context includes ongoing debates on AI protections for will and rights.

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Maya Hawke Breaks Her Silence on Marriage to Christian Lee Hutson a Month After Their Intimate Wedding

#9 out of 41

entertainment19h ago

Maya Hawke Breaks Her Silence on Marriage to Christian Lee Hutson a Month After Their Intimate Wedding

Instyle.com and 2 more

Maya Hawke expresses that married life to Christian Hutson feels absolutely fantastic, signaling a joyful new chapter a month after their Valentine’s Day wedding.
The couple quietly confirmed their romance and engagement timeline, with dating reportedly beginning in 2023 and public dating coverage early in 2024 integrated into their marriage narrative.
Hawke wore a white ballgown and Hutson a black tuxedo for the New York ceremony, underscoring a classic, formal wedding aesthetic.
The wedding drew support from Maya Hawke’s famous parents, Uma Thurman and Ethan Hawke, highlighting a high-profile family moment.
Hawke and Hutson reportedly began dating in 2023 and collaborated professionally on Hawke’s 2024 album Chaos Angel, anchoring their relationship in shared artistic work.
SXSW events served as a platform where Hawke discussed her marriage amid promoting Wishful Thinking, blending personal life with her film career.
Her wedding day reportedly took place in New York, with a white gown and a tuxedo, marking a formal, stylish ceremony.
The SXSW premiere and press cycle highlighted Hawke’s dual focus on her acting career and personal life in a high-profile media moment.
Hawke’s wedding was widely noted by her Stranger Things cohort, reflecting continued industry visibility for the couple.
The new reference piece confirms a public, celebratory tone around the wedding while noting Hawke’s ongoing glow as a newlywed during SXSW and related events.

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#10

‘We Are The Shaggs’ Review: Story Behind Best “Worst Album" Ever Made

#10 out of 41

entertainment17h ago

‘We Are The Shaggs’ Review: Story Behind Best “Worst Album" Ever Made

Deadline.com

Ken Kwapis revisits The Shaggs at SXSW, framing the documentary as an endearing exploration of a storied, outsider band rather than a conventional music profile.
Philosophy of the World is presented as the Shaggs’ own musical language and rules, underscoring their singular creative stance.
Eyewitness accounts from the recording session, including engineers and producers, anchor the film’s portrayal of the Shaggs’ early sound.
The Shaggs are placed within a broader cult-phenomenon context, with early supporters like Frank Zappa highlighting their impact.
We Are the Shaggs avoids misery-memoir framing, instead highlighting the sisters’ resilient, understated personas.
The documentary traces the Shaggs’ late-20th-century reappraisal, noting a kinder, more receptive era for their music in the 1990s.
Kwapis’ career and SXSW context are threaded into the film, with the director labeling the Shaggs’ sound as among the most head-scratching ever committed to vinyl.
The film emphasizes Dot and Betty Wiggin’s distinct yet complementary songwriting dynamic as a core driver of their enduring appeal.
The documentary reveals KC Kwapis’ early interest and eventual pursuit of a Shaggs feature, highlighting cross-pollination between a planned narrative film and the SXSW documentary.
The Wiggin sisters reflect on their 1999 NRBQ anniversary performance as a turning point that reintroduced The Shaggs to larger audiences.

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