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Top 60 sundance film festival News Today

#1
What if Black boys in L.A. were afforded the grace to dream?
#1 out of 6011.2K est. views36.36%

What if Black boys in L.A. were afforded the grace to dream?

  • The film debuted at the 2026 Sundance Film Festival, marking Walter Thompson-Hernández's feature debut.
  • Lil Ant's dream-driven story uses flight and myth to explore resilience within a Black family.
  • Thompson-Hernández aims for a nuanced LA portrayal, avoiding tired urban trope checklists.
  • The film is set against LA’s changing demographics, including immigration and neighborhood shifts.
  • The production leveraged Sundance Catalyst to secure independent financing.
  • Thompson-Hernández draws inspiration from painting to shape film framing and composition.
  • The director emphasizes natural lighting and patient framing for truthful storytelling.
  • The LA setting itself is treated as a character within the film.
  • The film blends personal memory with broader social commentary on housing and community change.
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#2
Charli XCX strips off to nothing but lingerie and a fur coat as she braves cold
#2 out of 60300.00%

Charli XCX strips off to nothing but lingerie and a fur coat as she braves cold

https://www.the-sun.com/entertainment/15847836/charli-xcx-strips-lingerie-fur-coat-freezing/https://www.thesun.co.uk/tvandshowbiz/38030662/charli-xcx-strips-lingerie-fur-coat-freezing/
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  • Charli XCX braves freezing Sundance temperatures, stripping to lingerie under a fur coat to promote her mockumentary and 2024 album Brat.
  • The stunt centers on The Moment, a mockumentary where she plays an exaggerated version of herself while preparing for her Brat era.
  • Charli shared multiple Instagram photos from Utah, including shots with friends and at an Airbnb, highlighting a festive, glamorous look despite the cold.
  • Kylie Jenner appears in the film, with Charli and Jenner promoting a behind-the-scenes collaboration and clapper-board moment.
  • The film arrives in select New York and Los Angeles cinemas on January 30, marking a high-profile rollout for the mockumentary.
  • The Moment follows the life of a pop star ahead of her first arena tour, offering an inside look at the music industry through a subculture lens.
  • The Sun notes a cross-promotional angle, with Charli and Kylie Jenner as high-profile collaborators teased for the film.
  • Charli’s Sundance moment is framed as a fashion-forward, fearless performance-on-film narrative feeding into Brat’s cultural moment.
  • The article documents fan reactions and social media engagement to Charli’s bold Sundance photoshoot.
  • The Sun frames the stunt within a broader entertainment-news context, including cast updates and behind-the-scenes insights.
  • The article references standard Sun policy language on licensing, terms, and editorial complaints, mirroring site-wide governance.
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#3
Courtney Love Misses the Sundance Film Festival Premiere of Her New Documentary 'Antiheroine': 'We're Really Gutted'
#3 out of 600.00%

Courtney Love Misses the Sundance Film Festival Premiere of Her New Documentary 'Antiheroine': 'We're Really Gutted'

  • Courtney Love missed the world premiere of Antiheroine at Sundance on Jan. 27, 2026.
  • Festival director Eugene Hernandez expressed disappointment over her absence.
  • The film Antiheroine is directed by Edward Lovelace and James Hall and follows Love’s life in London.
  • Love spoke about entering sobriety and new music in the film’s logline.
  • The premiere included remarks from co-director Edward Lovelace about inviting audiences into Love’s personal space.
  • The documentary Antiheroine is an official selection at Sundance 2026.
  • The article notes Love's sobriety and potential music collaborations mentioned in media.
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#4
Olivia Colman marries a basket in wondrous, bizarre ‘Wicker’: Sundance review
#4 out of 60

Olivia Colman marries a basket in wondrous, bizarre ‘Wicker’: Sundance review

  • Olivia Colman leads the cast as the Fisherwoman who marries a wicker husband in a surreal Sundance drama.
  • The film is praised for its visual ambitions, with Wētā Workshop effects contributing to the enchanted, otherworldly look.
  • Peter Dinklage plays the kind Basketmaker who shapes the couple's fate in the forest.
  • Alexander Skarsgård appears as the gentle, tall partner crafted from reeds.
  • The film shifts toward a touching, human story despite its bizarre setup.
  • The cast includes Elizabeth Debicki in a rival role and Richard E. Grant in supporting parts.
  • Director duo Eleanor Wilson and Alex Huston Fischer bring a fablelike tone to the Sundance premiere.
  • The festival take place in Park City, Utah, with red-carpet moments and festive photography backing the premiere.
  • The review notes the film’s blend of humor and dark fairy-tale elements.
  • The film promises emotional throughlines about love, loneliness, and belonging.
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#5
The Only Living Pickpocket in New York review – John Turturro steals this simple, charming tale
#5 out of 60562.0 est. views

The Only Living Pickpocket in New York review – John Turturro steals this simple, charming tale

https://www.theguardian.com/film/2026/jan/28/the-only-living-pickpocket-in-new-york-review-john-turturro-steals-this-simple-charming-talehttps://variety.com/2026/film/reviews/the-only-living-pickpocket-in-new-york-review-1236642486/https://deadline.com/2026/01/the-only-living-pickpocket-in-new-york-review-john-turturro-noah-segan-sundance-1236699551/
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  • Harry embodies a nostalgic throwback to old New York street crime, with Noah Segan translating that bohemia into a modern Sundance-bound story that still feels intimate and lean.
  • Turturro anchors the film with a measured, old-school craft that collides with today’s digital era, highlighting how CCTV and Google challenge Henry’s methods.
  • The film braids a human core—reunion with an estranged daughter and a dying marriage—with a grounded, subway-and-streets setting that amplifies the tension of each caper.
  • Deadline’s take emphasizes Segan’s mature directing debut, blending Blaxploitation tempo with countdown melancholy to illuminate loss and nostalgia.
  • The reference underscores the film’s theme of a vanishing bohemia in New York, where old techniques meet digital-age disruption.
  • Tatiana Maslany’s scene with Harry injects emotional gravity into the caper, balancing warmth with the film’s noirish mood.
  • The Guardian’s review frames the film as a lean, charming old-city crime tale that rewards patient viewing and nods to a golden era of Manhattan indie cinema.
  • The original Guardian piece notes the film’s focus on character-driven suspense over pure twists, aligning with Segan’s intimate, relationship-centered approach.
  • The Deadline review highlights the film’s fusion of nostalgia for ‘old New York’ with a contemporary sensibility about crime and technology.
  • The ending is described as bittersweet, aligning with the film’s homage to a bygone criminal ethos and offering a quietly resonant finish.
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#6
‘Zi’ Writer-Director Kogonada & Cast On Creating A “Collaborative, Instinctual, In-The-Moment Experience” – Sundance Studio
#6 out of 60

‘Zi’ Writer-Director Kogonada & Cast On Creating A “Collaborative, Instinctual, In-The-Moment Experience” – Sundance Studio

  • Deadline’s Sundance Studio session showcases Zi-Kogonada discussing a minimal, collaborative outline with on-the-day improvisation.
  • The film follows a young woman in Hong Kong who experiences visions of her future self and meets a transformative stranger.
  • Haley Lu Richardson comments on the collaborative, instinctual writing process during the shoot.
  • Kogonada discusses personal elements and themes related to Hong Kong and global perspectives in the film.
  • Deadline frames the Sundance segment as part of its broader awards and festival coverage.
  • The segment underscores the collaborative nature of the film's development and writing process.
  • The film’s logline positions a future-self encounter as a catalyst for the night’s events.
  • Cast members Haley Lu Richardson and Jin Ha participate in the Sundance session, contributing to the conversation.
  • The interview is part of Deadline’s coverage of Sundance Studio, highlighting new voices in film.
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#7
‘Frank & Louis’ Director Petra Volpe And Rob Morgan Find Compassion In “A Dehumanizing Space” In Alzheimer’s Prison Story – Sundance Studio
#7 out of 60

‘Frank & Louis’ Director Petra Volpe And Rob Morgan Find Compassion In “A Dehumanizing Space” In Alzheimer’s Prison Story – Sundance Studio

  • Frank & Louis centers on a life prisoner caring for aging inmates, a setup that drives the film’s redemption arc.
  • Director Petra Volpe and actor Rob Morgan spoke at Sundance Studio about the film’s humane core.
  • The interview was part of Deadline Studio at Sundance, presented by Casamigos.
  • Key quotes from Volpe explore what makes us human, linking care and self-compassion to humanity in harsh settings.
  • Deadline highlighted multiple festival nominees and related film coverage alongside the Sundance session.
  • The interview underscores the film’s festival premiere context and narrative themes.
  • The story emphasizes humanizing care within dehumanizing prison environments.
  • Deadline’s Sundance coverage positions Frank & Louis within a broader awards and festival news context.
  • The interview combines festival ambiance with a discussion of character redemption arcs.
  • The session is connected to Sundance Film Festival 2026 coverage and the broader Deadline ecosystem.
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#8
‘Union County’s Adam Meeks & Will Poulter Tell A “More Hopeful And Positive” Opioid Recovery Story With “Humanity And Empathy” – Sundance Studio
#8 out of 60
crime12h ago

‘Union County’s Adam Meeks & Will Poulter Tell A “More Hopeful And Positive” Opioid Recovery Story With “Humanity And Empathy” – Sundance Studio

  • Meeks and Poulter discuss Union County’s focus on humanity and recovery within a rural Ohio opioid story at Sundance Studio.
  • Poulter notes the film’s balance of harsher truths with hopeful, positive angles on addiction recovery.
  • Deadline Studio at Sundance serves as the platform for Meeks and Poulter to discuss the project’s scope and logline.
  • Union County centers on Cody Parsons’ journey in a county-mandated drug court amid the opioid crisis.
  • The film’s collaboration between director Meeks and actor Poulter is highlighted as central to its Sundance presentation.
  • Deadline’s Sundance coverage links Union County with broader festival news and acquisitions.
  • Meeks discusses the film’s human-centered approach and empathy in the drug court setting.
  • Deadline’s narrative frame situates Union County within its broader 2026 festival film coverage.
  • The interview underscores the film’s aim to depict recovery as a counter-narrative to addiction stigma.
  • Sundance Studio interview is part of Deadline’s Breaking News and festival-stage content strategy.
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#9
See You When I See You Is Too Afraid to Be Funny, Too Inert to Be Sad
#9 out of 60

See You When I See You Is Too Afraid to Be Funny, Too Inert to Be Sad

  • Latest Sundance review says See You When I See You struggles to breathe, despite aiming for depth.
  • Cooper Raiff’s Aaron is seen as underpowered in conveying inner life to match the material.
  • Kaitlin Dever’s Leah appears vibrant in flashbacks, offering contrast to Aaron’s struggle.
  • David Duchovny’s performance as Aaron and Leah’s father adds convincing emotional texture.
  • Hope Davis’s portrayal as the mother delivers feeling with simple, telling glances.
  • Review notes the film’s depictions of memory control are not particularly compelling.
  • Director Jay Duplass is criticized for lacking a cinematic handle on pivotal scenes.
  • The review suggests some viewers may find value in the film's sensitivity to trauma.
  • Supporting cast elevates the material beyond the central narrative shortcomings.
  • Overall, the piece views the film as earnest but inadequately executed.
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#10
‘I have Yes tattooed on my foot!’ Zoey Deutch on playing Jean Seberg in a joyous celebration of Godard classic Breathless
#10 out of 60562.0 est. views

‘I have Yes tattooed on my foot!’ Zoey Deutch on playing Jean Seberg in a joyous celebration of Godard classic Breathless

  • Zoey Deutch stars as Jean Seberg in Netflix’s Nouvelle Vague, a Godard-inspired drama about Breathless’ making.
  • Deutch spent two years learning French to capture Seberg’s transatlantic delivery for Nouvelle Vague.
  • Linklater’s film frames Seberg at a turning point, balancing awe for Godard with his unpredictable direction.
  • Deutch’s personal backdrop includes a Hollywood family legacy, with her mother Lea Thompson and father Howard Deutch.
  • The interview notes Deutch’s turn toward more challenging roles beyond romcoms, including The Outfit and Juror No. 2.
  • Deutch shares pride in her family’s cinema legacy and support from her mother amid public attention.
  • Nouvelle Vague is described as a celebratory tribute to the New Wave, reimagining 1959 Paris and Breathless’ shooting.
  • The film situates Seberg’s FBI harassment era within her broader career trajectory.
  • Deutch reflects on Seberg’s life, including later biopic and post-Breathless choices.
  • Deutch’s commitment to evolving as an actor is linked to her Sundance appearances and activism.
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