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Top 8 south by southwest (sxsw) News Today

#1
‘The Truth and Tragedy of Moriah Wilson’ Review: Marina Zenovich’s Doc About Murdered Cyclist Tells a Sad Story, Superficially
#1 out of 8
crime1d ago

‘The Truth and Tragedy of Moriah Wilson’ Review: Marina Zenovich’s Doc About Murdered Cyclist Tells a Sad Story, Superficially

https://www.hollywoodreporter.com/movies/movie-reviews/the-truth-and-tragedy-of-moriah-wilson-review-documentary-1236528233/
Hollywoodreporter.com
  • The film premiered at SXSW as part of Documentary Spotlight before its Netflix April launch.
  • Doc follows Moriah Wilson’s growth from child to aspiring cyclist, using family and friends for context.
  • Review finds the film affectionate yet superficial in its portrayal of Wilson.
  • The documentary combines hagiography with true-crime sensationalism, according to the review.
  • Family involvement and diary excerpts shape the narrative and tone of the documentary.
  • The film questions how much the documentary can reveal about Wilson beyond her public image.
  • Cops and attorneys provide the procedural angle, which clashes with the reflective family sections.
  • The review notes uncertainty about the documentary’s ultimate message or takeaway.
  • The film juxtaposes Wilson’s diary readings with actor Olivia Sinnott reading excerpts instead of AI recreation.
  • The film focuses on Wilson’s impact on her family and the cycling community.
  • Overall, the documentary presents a sad story but leaves some questions unanswered.
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#2
Steven Spielberg Talks 'Disclosure Day,' Aliens, Western In Development
#2 out of 8
entertainment1d ago

Steven Spielberg Talks 'Disclosure Day,' Aliens, Western In Development

https://deadline.com/2026/03/steven-spielberg-disclosure-day-aliens-western-sxsw-interview-1236752564/
Deadline.com
  • Spielberg asserts that the theatrical experience fosters community and shared emotion among moviegoers.
  • He confirms a Western in development that he says “kicks ass,” hinting at new genre exploration.
  • Spielberg shares views on alien life, saying he has a strong suspicion we are not alone.
  • Spielberg notes he enjoys Netflix collaborations but emphasizes the unique social experience of theaters.
  • The discussion covered his upcoming film Disclosure Day and past work including The Fabelmans.
  • Spielberg reflects on his career longevity and his approach to storytelling across media.
  • He discusses how audiences respond differently to stories while remaining emotionally connected.
  • Spielberg emphasizes the social responsibility of cinema in shaping belief systems and cultural conversations.
  • The SXSW appearance also touched on Spielberg’s early career experiences and filmmaking approach.
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#3
‘Slanted’, SXSW ’25 Prize Winner, Debuts As Fest’s Latest Edition Kicks Off; Vietnamese Culinary Family Drama ‘Scent of Pho’ — Specialty Preview
#3 out of 8
entertainment1d ago

‘Slanted’, SXSW ’25 Prize Winner, Debuts As Fest’s Latest Edition Kicks Off; Vietnamese Culinary Family Drama ‘Scent of Pho’ — Specialty Preview

https://deadline.com/2026/03/new-indie-films-opening-slanted-sxsw-scent-of-pho-vietnam-1236752618/
Deadline.com
  • Slanted opens at SXSW 2026, a body horror satire by Amy Wang, on 588 screens with Shirley Chen leading the cast.
  • The film follows Joan Huang at a high school, entangled with Ethnos, a cosmetic clinic that changes skin color.
  • Scent of Pho expands to North America and major markets, led by Minh Beta and social media star Xuan Hinh.
  • The Vietnamese film centers on a ph master whose family business and traditions face pressure from new leadership.
  • Scent of Pho features an ensemble cast including Thu Trang, Thanh Hien, Quoc Tuan, Bao Nam, and more.
  • Deadline highlights SXSW previews and World premieres alongside limited releases in NYC and other markets.
  • Deadline notes additional festival coverage and related cinema highlights accompanying the SXSW slate.
  • Deadline's coverage situates the films within SXSW’s 2026 program and broader market expansion.
  • The articles note executive-level distribution moves and cross-market releases for both titles.
  • SXSW 2026 continues to showcase international cinema with Vietnamese diverse storytelling.
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#4
‘Crash Land’ Review: Crass Humor Meets Poignancy in Coming-of-Age Dramedy About Grieving Canadian Stunt Boys
#4 out of 8
entertainment21h ago

‘Crash Land’ Review: Crass Humor Meets Poignancy in Coming-of-Age Dramedy About Grieving Canadian Stunt Boys

https://variety.com/2026/film/reviews/crash-land-review-finn-wolfhard-1236687427/
Variety.com
  • The film centers on three Canadian stuntmen in Inch who turn grief into a movie project.
  • The story blends crude humor with a poignant look at grief and growing up.
  • Gabriel LaBelle, Dempsey Bryk, and Finn Wolfhard deliver performances that anchor the film’s emotional core.
  • The film critiques the ‘boys will be boys’ mentality while offering a tender counterpoint.
  • Jemma provides a calming influence that challenges the protagonists’ bravado.
  • The movie marks Kid Brother Pictures’ SXSW debut, adding a layer of fest-driven momentum.
  • The film mirrors early-2000s aesthetics through low-cost gear and grainy clips.
  • Darby’s death is a catalyst that drives the group to confront mortality and purpose.
  • Abby Quinn’s Jemma acts as a catalyst for emotional growth among the trio.
  • ‘Crash Land’ is Kid Brother’s latest feature, signaling a blend of crude humor and heartfelt storytelling.
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#5
‘Ready Or Not 2: Here I Come’ Leaves SXSW Cheering & Gasping At World Premiere
#5 out of 8
entertainment21h ago

‘Ready Or Not 2: Here I Come’ Leaves SXSW Cheering & Gasping At World Premiere

https://deadline.com/2026/03/ready-or-not-2-sxsw-premiere-1236753425/
Deadline.com
  • Kathryn Newton introduces Ready or Not 2: Here I Come at the SXSW world premiere, setting the tone for the horror sequel.
  • Sarah Michelle Gellar attended the premiere via video message, while Samara Weaving was a no-show.
  • The crew discussed a potential sequel and noted a post-credits scene was never shot due to budget limits.
  • Director Tyler Gillett and Matt Bettinelli-Olpin hinted a sequel was not planned, despite fan talk of a threequel.
  • The premiere spotlighted practical effects as a core feature of the film's appeal.
  • Newton commented on the cast's on-set experiences, including a moment captured for continuity.
  • The film is produced by Searchlight Pictures and distributed by Paramount+ with cross-brand ties highlighted in coverage.
  • The SXSW event drew notable attendance and media attention during the festival's second night in Austin.
  • The piece references related coverage and interviews with cast members and filmmakers following the premiere.
  • Deadline Media confirms the film's celebration at SXSW among press and industry guests.
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#6
This $160,000 red light chamber left my whole body buzzing
#6 out of 8
shopping17h ago

This $160,000 red light chamber left my whole body buzzing

https://mashable.com/article/ammortal-chamber-hands-on-sxsw-2026
Mashable.com
  • Ammortal Chamber gains attention at SXSW 2026 as a luxury wellness device priced at $160,000.
  • The chamber blends red/infrared light, hydrogen inhalation, meditation, and PEMF into one experience.
  • The writer notes the treatment felt intense and meditative, with a strong body-wide buzz after sessions.
  • Publishers report the Ammortal Chamber is used by several NFL teams, signaling interest from professional athletes.
  • The piece frames the device as a gadget for a wealthy audience while acknowledging accessibility for spa-goers.
  • The author avoids definitive medical claims, indicating a lack of long-term health verdicts from a single session.
  • SXSW coverage notes multiple emerging technologies beyond the chamber, including AI voice restoration and XR experiences.
  • The experience includes a nasal cannula for hydrogen inhalation and a guided, immersive audio environment.
  • The report highlights the treatment’s potential market appeal among luxury spa enthusiasts.
  • The piece notes the device’s current status as a demonstration and its ongoing commercialization plans.
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#7
‘Kill Me’ Review: Charlie Day Cracks a Case That Could Break Him in Disarming Black Comedy
#7 out of 8
entertainment11h ago

‘Kill Me’ Review: Charlie Day Cracks a Case That Could Break Him in Disarming Black Comedy

https://variety.com/2026/film/reviews/kill-me-review-charlie-day-1236687844/
Variety.com
  • SXSW reviews highlight Kill Me as a subversive black comedy that reimagines the whodunit through a depressed narrator.
  • Jimmy’s investigation doubles as a meditation on memory, depression, and seeking a reason to live.
  • Alison Williams plays Margot, the 911 dispatcher who anchors Jimmy’s search and offers a path to connection.
  • The film’s clever framework can sometimes feel heavy, yet it yields refreshing moments and emotional depth.
  • Day’s performance is praised for showing range within a challenging, self-questioning role.
  • The movie blends rom-com elements with noir suspense to create an unconventional narrative tone.
  • The SXSW premiere positioned Kill Me as a bold debut for writer-director Peter Warren.
  • The film’s soundtrack choices, including a Needle in the Hay cover, underscore themes of reinvention.
  • Production details note a collaborative effort among XYZ Presentation, Dark Horse Entertainment, Daylight Production, and Rabbits Black.
  • The review credits the film with provocative questions about reinvention and the consequences of isolation.
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#8
Jake Johnson Teases ‘New Girl’ Reunion: “We’re All In Besides Lamorne” – SXSW Studio
#8 out of 8
entertainment5h ago

Jake Johnson Teases ‘New Girl’ Reunion: “We’re All In Besides Lamorne” – SXSW Studio

https://deadline.com/2026/03/new-girl-reunion-jake-johnson-lamorne-morris-1236753726/
Deadline.com
  • Jake Johnson teased a possible New Girl reunion, saying the cast is all in besides Lamorne Morris.
  • Johnson hinted Morris’s stance could block a revival despite fan interest.
  • Morris’s Emmy win is cited as a reason he might decline returning to a sitcom.
  • The exchange occurred during Deadline’s SXSW Studio session in March 2026.
  • Lamorne Morris won an Emmy for Fargo, affecting his reunion considerations.
  • Johnson’s comments tie Morris’s screen success to a reluctance to return to sitcom chemistry.
  • Morris and Johnson have worked together again on Johnson’s SXSW film The Sun Never Sets.
  • Johnson encouraged fans to contact Morris on social media about a reunion.
  • The article lists other TV and film news items alongside the potential reunion.
  • The piece frames the reunion as speculative rather than confirmed.
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