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Vince Gilligan Considered Making ‘Pluribus’ Cast Naked, but ‘We’re Not Working for HBO’ and ‘We Can’t Do That to All These Extras’

#1 out of 4893.13%

entertainment1h ago

Vince Gilligan Considered Making ‘Pluribus’ Cast Naked, but ‘We’re Not Working for HBO’ and ‘We Can’t Do That to All These Extras’

Variety.com

Gilligan said they considered making the Pluribus hive-mind cast naked but decided against it, noting they were not working for HBO.
The cast’s costumes evolved from uniforms to minimal, functional attire as the series progresses.
Rhea Seehorn, the lead, laughed at the idea of acting with 300 naked extras on stage.
Gilligan explained the practical reason for clothing in the sun and cold, beyond visual minimalism.
Costume designer Jennifer Bryan discussed how clothing changes reflect the joining and hive-mind dynamics.
The conversation occurred on a SXSW panel with Gilligan, Seehorn, and Bryan.
The Pluribus plot centers on a post-apocalyptic world with a hive mind infecting humanity.
The article places the SXSW remarks within broader Variety coverage of the event.
Variety notes the discussion included music and executive producers in the audience.
The piece cites the hive mind characters as ‘yes-people who always speak in the royal we.’

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‘The Audacity’ Cast Explains Why Jonathan Glatzer’s Silicon Valley Dark Comedy “Feels Urgent” — SXSW Studio

#2 out of 4899.69%

entertainment1h ago

‘The Audacity’ Cast Explains Why Jonathan Glatzer’s Silicon Valley Dark Comedy “Feels Urgent” — SXSW Studio

Deadline.com

The Audacity centers on a data-mining CEO in Silicon Valley, exploring power, wealth, and ethical lapses.
SXSW Studio featured the cast, including Billy Magnussen and Meaghan Rath, on stage to discuss the show’s urgency.
The show questions privacy and how money compounds influence in tech culture.
There is a sense of urgency about the story, with a comment that the tale could become a headline quickly.
Deadline Studio at SXSW presented the show as part of a broader slate with coverage and interviews.
The Audacity is described as a darkly comedic drama about the ‘humanness’ behind tech ambitions.
Executive insights emphasize the show’s timely themes and the need to tell the story now.
Cast members describe a world where powerful tech leaders are still human and fallible.
The Audacity premiered at SXSW Studio as part of Deadline’s coverage of the festival.

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Sarah Michelle Gellar Wears a Bold Cutout Dress on the SXSW Red Carpet

#3 out of 4899.84%

celebrities1h ago

Sarah Michelle Gellar Wears a Bold Cutout Dress on the SXSW Red Carpet

Instyle.com

Gellar opened SXSW 2026 premiere in a Mugler cutout dress, drawing attention on the red carpet.
She wore over $100,000 in diamonds, including white gold baguette diamond earrings.
Gellar also wore a second look, a lace maxidress with similar jewelry.
Gellar carried a cutout of Samara Weaving’s face to include her co-star in photos.
The cast portrait session captured Gellar in pinstripe trousers and other bold outfits.
Other cast members included Elijah Wood and Kathryn Newton in a related SXSW shoot.
Gellar's beauty team completed looks with nude pink lip and rosy blush.
Gellar's second look featured a sheer skirt on a lace maxidress paired with dramatic jewelry.
The coverage highlights Gellar’s red-carpet style as sophisticated and sparkling.

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Why Chloe Grace Moretz Came Back to Rom-Coms After 12 Years for SXSW Premiere ‘Love Language’

#4 out of 48

entertainment19h ago

Why Chloe Grace Moretz Came Back to Rom-Coms After 12 Years for SXSW Premiere ‘Love Language’

Variety.com

Chloe Grace Moretz headlines the SXSW premiere of 'Love Language,' signaling a rom-com comeback after more than a decade.
Power conceived the project after finding inspiration in his own wedding vows, shaping the film’s premise.
Moretz plays Lou, a character who navigates love and a surprising new business under pressure from relationships and career.
Joey Power directs the film, aiming to serve a rom-com that the current market considers underserved.
Moretz is also involved in an action comedy project 'Mister' in Spain, signaling continued diversification.
Moretz's career includes indie prestige and action titles, underscoring a versatile approach to leading roles.
The project is a return to rom-coms for Moretz after her 2014 film 'If I Stay.'
The film is described as a contemporary rom-com about love and personal growth.
Moretz's upcoming projects include the Spain-set 'Mister' with Walton Goggins, signaling further global production.
SXSW marks a strategic platform for sales and industry visibility ahead of broader release.

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Steven Spielberg reveals his next film is a Western with 'no stereotypes'

#5 out of 48

entertainment15h ago

Steven Spielberg reveals his next film is a Western with 'no stereotypes'

Aol.com

Steven Spielberg said he is developing a Western that will try to avoid genre tropes and stereotypes.
The project will include horses and guns, signaling a traditional Western framework with a modern twist.
Spielberg discussed the idea during a SXSW conversation with The Big Picture’s Sean Fennessey.
Spielberg has long teased a Western, indicating it has eluded him for decades.
The director cited John Ford’s influence as a source of cinematic inspiration for Westerns.
Spielberg has previously discussed Westerns in interviews and referenced past projects and interests.
The comments came as part of a broader look at Spielberg’s career and favorite genres.
Spielberg’s Western project is part of ongoing discussions about his future films and genres.
The interview linked Spielberg’s next project to his broader treatment of landscape and framing in cinema.
No release date was announced for the Western project during the SXSW discussion.

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‘Drag’ SXSW Review: Come for the Petty Theft, Stay for the Unexpected Serial Killings

#6 out of 48

entertainment15h ago

‘Drag’ SXSW Review: Come for the Petty Theft, Stay for the Unexpected Serial Killings

Variety.com

Two sisters break into a house only to get trapped, setting off a tense, darkly comic survival tale.
Lizzy Caplan and Lucy DeVito anchor the film with caustic humor and punishing physical comedy.
The film sustains tension for nearly 90 minutes, delivering a deliberately sharp, edgy tone.
Stamos, Ko, and the production design contribute to a claustrophobic, unsettling atmosphere.
The film positions itself as an opening-weekend premiere in SXSW’s Midnighter selection.
The narrative leans into a satirical angle on crime rather than a straightforward horror premise.
The cast includes Christine Ko as a flirtatious guest who plays into the mounting peril.
Patrick Stump provides the original score, contributing to the suspenseful tone.
The film is described as a “modest, resourceful exercise in gallows humor.”
The report notes a potential appeal for festival audiences despite grim content.

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‘We Are The Shaggs’ Review: Story Behind Best “Worst Album" Ever Made

#7 out of 48

entertainment17h ago

‘We Are The Shaggs’ Review: Story Behind Best “Worst Album" Ever Made

Deadline.com

Ken Kwapis revisits The Shaggs at SXSW, framing the documentary as an endearing exploration of a storied, outsider band rather than a conventional music profile.
Philosophy of the World is presented as the Shaggs’ own musical language and rules, underscoring their singular creative stance.
Eyewitness accounts from the recording session, including engineers and producers, anchor the film’s portrayal of the Shaggs’ early sound.
The Shaggs are placed within a broader cult-phenomenon context, with early supporters like Frank Zappa highlighting their impact.
We Are the Shaggs avoids misery-memoir framing, instead highlighting the sisters’ resilient, understated personas.
The documentary traces the Shaggs’ late-20th-century reappraisal, noting a kinder, more receptive era for their music in the 1990s.
Kwapis’ career and SXSW context are threaded into the film, with the director labeling the Shaggs’ sound as among the most head-scratching ever committed to vinyl.
The film emphasizes Dot and Betty Wiggin’s distinct yet complementary songwriting dynamic as a core driver of their enduring appeal.
The documentary reveals KC Kwapis’ early interest and eventual pursuit of a Shaggs feature, highlighting cross-pollination between a planned narrative film and the SXSW documentary.
The Wiggin sisters reflect on their 1999 NRBQ anniversary performance as a turning point that reintroduced The Shaggs to larger audiences.

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‘Ready or Not 2: Here I Come’ Review: Samara Weaving Gets Trapped in a More Dangerous — and Luridly Preposterus — Game

#8 out of 48

entertainment17h ago

‘Ready or Not 2: Here I Come’ Review: Samara Weaving Gets Trapped in a More Dangerous — and Luridly Preposterus — Game

Variety.com and 2 more

Ready or Not 2 expands its deadly game world, introducing a global network of elite clans and a new council power struggle that ups the stakes while keeping Grace at the center.
Grace remains a magnet for violence and charisma, now partnered with her sister Faith, amplifying emotional tension as they confront broader, more lavish perils.
Elijah Wood steps into a morally opaque role as the Council lawyer, underscoring a clash between law, power, and savage ritual.
The film foregrounds a broader, globe-trotting elite network rather than a single family, expanding the social critique around wealth and power.
The visual and tonal shift leans more operatic and macabre, trading some restraint for a lavish, preposterous spectacle that still underpins the thriller core.
The wedding-time finale returns, escalating ceremonial depravity in a church-of-Satan setting that deepens the movie’s ritual dread.
New antagonists, including Sarah Michelle Gellar and Shawn Hatosy as the Danforth twins, inject sharper sibling rivalries and sharper social satire into the game.
The film maintains a thread of dark humor amid explicit violence, delivering the signature ‘garishly booby-trapped’ experience with a wink.
Despite a stronger cast, the sequel’s expanded lore necessitates exposition, occasionally stalling the pace as characters explain the rules and history of the game.
Grace’s chic, bloodstained look remains a visual signature, with fan enthusiasm at screenings echoing the first film’s reception.
Overall, the sequel delivers enough first-film pleasures to satisfy fans, while hinting at diminishing returns and prompting questions about future installments.

Vote 2

Maya Hawke Breaks Her Silence on Marriage to Christian Lee Hutson a Month After Their Intimate Wedding

#9 out of 48

entertainment19h ago

Maya Hawke Breaks Her Silence on Marriage to Christian Lee Hutson a Month After Their Intimate Wedding

Instyle.com and 2 more

Maya Hawke expresses that married life to Christian Hutson feels absolutely fantastic, signaling a joyful new chapter a month after their Valentine’s Day wedding.
The couple quietly confirmed their romance and engagement timeline, with dating reportedly beginning in 2023 and public dating coverage early in 2024 integrated into their marriage narrative.
Hawke wore a white ballgown and Hutson a black tuxedo for the New York ceremony, underscoring a classic, formal wedding aesthetic.
The wedding drew support from Maya Hawke’s famous parents, Uma Thurman and Ethan Hawke, highlighting a high-profile family moment.
Hawke and Hutson reportedly began dating in 2023 and collaborated professionally on Hawke’s 2024 album Chaos Angel, anchoring their relationship in shared artistic work.
SXSW events served as a platform where Hawke discussed her marriage amid promoting Wishful Thinking, blending personal life with her film career.
Her wedding day reportedly took place in New York, with a white gown and a tuxedo, marking a formal, stylish ceremony.
The SXSW premiere and press cycle highlighted Hawke’s dual focus on her acting career and personal life in a high-profile media moment.
Hawke’s wedding was widely noted by her Stranger Things cohort, reflecting continued industry visibility for the couple.
The new reference piece confirms a public, celebratory tone around the wedding while noting Hawke’s ongoing glow as a newlywed during SXSW and related events.

Vote 2

#10

‘My Brother’s Killer’ SXSW Review: A Macabre Real-Life Murder Goes Unsolved for Decades

#10 out of 48

crime19h ago

‘My Brother’s Killer’ SXSW Review: A Macabre Real-Life Murder Goes Unsolved for Decades

Variety.com

The documentary revisits the 1990 murder of William Newton, a gay porn performer known as Billy London, in Los Angeles.
The film follows renewed police and podcaster efforts that uncover fresh information after decades of inactivity.
The documentary emphasizes the long delay in solving the case and how new inquiries finally surfaced in the last five years.
Rachel Mason avoids centering herself as the protagonist, letting others drive the investigative arc.
The film remains engrossing with surprising twists as the case slowly unfolds toward a resolution.
Contextual depth into the porn milieu and era is limited, leaving some opportunities unexplored.
The production highlighted is from A FutureClown Productions with Submarine Entertainment handling world sales.
The review notes the film’s dramatic pivot as the killer is identified and examined in a broader historical context.
The documentary is positioned as a gripping real-life mystery with emotional resonance tied to its subjects.
SXSW screening solidifies the documentary as a notable nonfiction exploration of a high-profile Los Angeles case.

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