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entertainment11h ago
‘Black Rabbit, White Rabbit’ Review: Disqualified for the Oscars, Tajikistan Drama Is an Inviting, Meandering Meta-Narrative
- The film presents an inviting, meta-narrative about cinema that blurs lines between reality and fiction.
- Mokri uses unbroken long takes and temporal games to revisit scenes from different angles, deepening the textural feel.
- The story threads include a woman gaining communicative links with household objects after a car crash and a prop master’s on-set saga.
- Critics note the film’s charm and magic-realism touches, even as its expansive framework limits its ultimate meaning.
- The production combines Tajik, Persian, and Russian dialogue to intensify its layered narrative.
- The film is praised for cinema about cinema, inviting viewers to explore its texture rather than seeking a straightforward plot.
- The reviewer notes the film’s playful critique of Chekhov’s gun and meta-commentary on storytelling.
- Despite its ambition, the film’s sprawling structure may dilute impact, according to critics.
- The film features a festival context note, including a reference to JAFF and a broader festival circuit.
- Overall, the review presents the film as a visually inventive, cinema-loving experiment with mixed critical reception.
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