8legs: Red sea, saudi arabia

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#1 out of 5

Amir El-Masry reveals he dislocated a finger during a boxing scene while filming Giant with Pierce Brosnan.
Brosnan advised El-Masry to worry about health and family over the film after the injury.
El-Masry notes a rapid training schedule, bulk-up efforts, and a 12-hour daily routine for the role.
El-Masry will appear again with Brosnan in the TV series Mobland, per the actor's update.
El-Masry discusses transitioning from a boxer to a shy pianist in The Stories, highlighting expressive acting through hands.
El-Masry previews a project with Ben Sharrock titled Alone Together, set in Oman.
The interview links El-Masry's multicultural background to his rising international profile.
El-Masry discusses his versatility across projects in Europe and the Middle East.
El-Masry hints at a psychological thriller 'Daughter of Eden' and future collaborations.
El-Masry expresses admiration for Brosnan as a 'leader' and 'father figure' on set.

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#2 out of 5

Rita Ora debuted a gothic backless lace gown by Tima Abid at the Red Sea International Film Festival.
Ora attended the festival alongside Dakota Johnson and Ana de Armas on the red carpet.
The look featured a black lace torso and cut-out details paired with a dramatic skirt.
Ora swapped long gloves for silver jewelry and styled her hair in a piled-up updo.
Dakota Johnson wore a black strapless dress with subtle cut-outs at the same event.
Ana de Armas also wore a black sequined dress at the festival.
Rita Ora's stylist for the event was Pippa Atkinson, a longtime collaborator.
The Prada gown and TOU jewelry were noted as part of Ora’s overall styling for the look.
The appearance followed Ora's recent Fashion Awards appearance in London.

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#3 out of 5

Ana de Armas says she still feels the need to prove herself after Blonde's Oscar nomination.
She recalled not everyone supported her casting and that a Cuban playing Monroe was seen as strange.
De Armas said the Oscar nomination did not change the roles she is offered.
She noted the Blonde campaign was challenging and that recognition should extend to others involved.
De Armas credits the film's long casting process with Andrew Dominik and his decade-long search.
She described No Time to Die as life-changing and highlighted the Bond fan reaction to Monroe.
De Armas emphasized Cuba's supportive reaction to her work on Blonde when she returns home.
She admitted her accent during Blonde required a week of preparation.
De Armas noted the desire for broader recognition within the film’s production team beyond herself.
She reflected on balancing big action projects with additional acting range.

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#4 out of 5

Queen Latifah says AI is here to stay and should be guided thoughtfully by creatives.
She argues machines can’t replace human experience and wisdom in storytelling.
Latifah encourages filmmakers to live life fully to enrich technology-driven work.
Her career shift after 2003 Chicago nomination helped grow Flavor Unit Entertainment.
Flavor Unit’s growth centers on inclusive storytelling and diverse directors.
Latifah urges Black British creators to stay resilient in the industry.
Latifah’s remarks came during an In Conversation session at Red Sea International Film Festival.
She uses AI as a tool to speed up production while preserving human depth.
Latifah remains focused on authentic storytelling and real-life connection.

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#5 out of 5

Hijra follows a mother and granddaughter on a cross-country search for a missing teen, revealing how personal choices clash with social rules.
Set in 2001, the film uses a road trip to Mecca to explore how Western influences mingle with strict local norms.
Sitti and Janna improvise moral decisions as they search for Sarah, testing the line between truth and protection.
The film argues against definitive epiphanies, instead showing how oppressive systems shape choices.
Nathmy, Al-Dhufairy, and Faden deliver restrained performances that carry the film’s emotional weight.
The film was selected to represent Saudi Arabia in the Oscars’ international feature race.
Shahad Ameen’s direction centers on questions of freedom and how individuals negotiate faith and duty.
The journey exposes how checkpoints and public spaces test the trio’s resolve and honesty.
The film blends intimate family dynamics with broader cultural commentary on gender roles.

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