8legs: Ransom watkins

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#1 out of 2

Sundance 2026 featured Ta-Nehisi Coates discussing the film When a Witness Recants with Dawn Porter and others.
The LA Times Studio hosted coverage at Sundance, highlighting the filmmakers’ perspectives.
The panel included contributors Mark Olsen, Mark E. Potts, and Rebecca Castillo from the Los Angeles Times.
The film and its discussion explore the themes surrounding witness recantations and justice.
The article notes the involvement of Ta-Nehisi Coates as a central figure in the project.
The Times profiles additional contributors including Rebecca Castillo and Mark Olsen as reporters on the project.
The Sundance coverage emphasizes the festival’s role in presenting the film to audiences.
The article mentions behind-the-scenes coverage from the LA Times Studio.
The piece identifies the film’s creative team and their roles in the project.
The report is dated January 26, 2026, capturing Sundance 2026 developments.

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#2 out of 2

crime13h ago

New documentary revisits the Baltimore case of three Black teens falsely convicted, using fresh interviews and archival footage.
Ta-Nehisi Coates appears as executive producer, helping place the case within broader American injustice discourse.
The film uses Dawud Anyabwile’s black-and-white motion comics to depict the accused as youths, reinforcing rehumanization.
The documentary emphasizes the emotional toll on families and the long arc of the men's lives after decades behind bars.
The film reveals the trial’s aftermath through archival footage and fresh depositions that show conflicting memories.
The film’s scope includes the Harlem Park Four’s echo in later cases, linking broader patterns of prosecutorial overreach.
The documentary presents a narrative arc that begins with the overturned convictions and moves into the men’s present-day lives.
The film is based on Jennifer Gonnerman’s 2021 New Yorker article of the same name.
Porter’s approach blends archival material with present-day testimony to trace time and place across decades.
The documentary’s visual strategy includes cross-cut interviews and moral tension in its storytelling.
Overall, the film is described as thorough and affecting nonfiction cinema about justice delayed.

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