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entertainment22h ago
‘Do you want to say I’m dated?’ Artist Anne Imhof on her S&M Venice shocker – and the show that earned a mauling
- Imhof’s landmark 2017 Venice show Faust made her a top name in contemporary art with a stark, controversial stage.
- Her recent work Doom: House of Hope in New York followed Faust with a quieter political stance amid mixed reviews.
- Imhof has collaborated with fashion brands, including Burberry and Nike, prompting scrutiny of autonomy in art.
- Her Porto show Fun ist ein Stahlbad cites Adorno and questions the balance between accessibility and political content.
- Imhof argues art should remain autonomous while engaging with popular culture and labor systems.
- The interview situates the artist at a point where art and fashion blur, yet critical intent persists.
- Imhof emphasizes responsibility toward collaborators and not monetizing political statements.
- The interview links Imhof’s work to broader 2010s preoccupations like borders and digital surveillance.
- Imhof’s work blends high culture with popular forms, aiming to remain autonomous within influential systems.
- The profile notes Imhof’s shifting relationship with the fashion industry and public perception.
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