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‘What’s the worst that can happen?’ How soprano Danielle de Niese turned to directing for The Marriage of Figaro
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‘What’s the worst that can happen?’ How soprano Danielle de Niese turned to directing for The Marriage of Figaro

  • Danielle de Niese directs The Marriage of Figaro in a six-week UK tour using a 10-person chamber version.
  • She aims to move beyond traditional tropes, prioritizing each character’s realism to drive the plot.
  • The production is set in the 18th century to maintain period plausibility and avoid modern reimagining.
  • De Niese hopes the live experience will turn audiences into active participants, not mere observers.
  • De Niese uses minimal props and the space’s four boxes and screens to explore the set's versatility.
  • The cast runs the full production across multiple venues in a three-month tour.
  • The production opens June 5 at Layer Marney Tower before touring England and Wales.
  • De Niese’s experience includes singing Susanna and Figaro on major stages, informing her directorial approach.
  • Orlando Jopling joined the project as conductor with a reduced orchestration.
  • De Niese sees the opera's final forgiveness scene as a test of believability and emotion.
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