8legs: Night school records

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Add to playlist: the maximalist melancholy of Hannah Lew and the week’s best tracks

Hannah Lew releases a self-titled debut that spans disco, electronic, and synth-pop, signaling a bold new entry in the scene.
Lew’s background spans Grass Widow and Cold Beat, plus roles as a record shop owner and label head shaping her artistic voice.
Sunday, a recent single, is described as widescreen synths with expansive, dramatic drums.
Lew’s vocal approach is noted for a warm, human center akin to Chromatics’ Ruth Radelet.
The Guardian places Lew within a Bay Area creative scene, noting her influence and multi-disciplinary work.
The article positions Lew’s debut as potentially a greatest hits with nine tracks.
Lew’s work is linked to Night School Records and peers like Molly Nilsson and Teresa Winter.
The Guardian recommends comparable artists for readers drawn to Lew’s style.
Lew’s multifaceted career includes video work for other artists and label leadership.
The piece frames Lew as a focal point for new synth-pop with a retro-future edge.

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