8legs: Mercury project

#1 out of 1

Embracing Ambiguity: The Art in Craft | Glasstire

The article argues that boundaries between art and craft are fading, challenging traditional hierarchies.
Examples from San Antonio's ClaySA show tactile works and varied objects that blur the lines between art and utility.
The piece cites global examples, including Oaxaca weaving, to illustrate value beyond labels.
Gloria Anzaldúa’s idea of crossing cultures informs the argument for hybrid practice.
Glenn Adamson views the craft-art relationship as interconnected, not hierarchical.
The author rejects purity myths and argues for value through quality and context.
Historical context is used to show how crafts have moved into broader art conversations.
Historical maker movements are cited as precursors to today’s blended practices.
The piece highlights the pressure to monetize artisan work differently when made by communities versus individuals.
The article closes with a call to admit blending disciplines without fear of losing value insight.

Vote 0