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Top 6 lucasfilm News Today

#1
Lucasfilm Pays Tribute to ‘Star Wars’ Editor Marcia Lucas: ‘Deeply Saddened’
#1 out of 60.00%
entertainment2h ago

Lucasfilm Pays Tribute to ‘Star Wars’ Editor Marcia Lucas: ‘Deeply Saddened’

https://variety.com/2026/film/news/george-lucas-marcia-lucas-1236762877/
Variety.com
  • Lucasfilm announced the death of Marcia Lucas, an Oscar-winning editor for Star Wars, at 80 after a cancer battle.
  • Marcia Lucas was part of the Oscar-winning editing team for Star Wars in 1978, alongside Chew and Hirsch.
  • Her career included work on More American Graffiti, The Empire Strikes Back, and Return of the Jedi.
  • Marcia Lucas also collaborated with Martin Scorsese on New York, New York after leaving Lucasfilm.
  • Lucasfilm described her as having an innate ability to find truth in a scene and bring heart and momentum to the screen.
  • The statement notes her lasting impact on the franchise and her peers in the global filmmaking community.
  • Variety highlighted her Oscar win as part of Star Wars' historic editing achievement in 1978.
  • The obituary cites her early post-production restart work during Star Wars development as pivotal.
  • Marcia Lucas’ family issued statements praising her emotional intelligence and humanity in her work.
  • The report places Marcia Lucas among the notable editors who shaped the Star Wars saga and related films.
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#2
Pedro Pascal spends more time unmasked in The Mandalorian and Grogu than the three Disney Plus seasons, but it's still less than 5 minutes
#2 out of 6
entertainment17h ago

Pedro Pascal spends more time unmasked in The Mandalorian and Grogu than the three Disney Plus seasons, but it's still less than 5 minutes

https://www.gamesradar.com/entertainment/star-wars-movies/pedro-pascal-spends-more-time-unmasked-in-the-mandalorian-and-grogu-than-the-three-disney-plus-seasons-but-its-still-less-than-5-minutes/
Gamesradar.com
  • Pedro Pascal’s unmasked screen time in The Mandalorian and Grogu surpasses the three Disney+ seasons combined, reaching 270 seconds.
  • By comparison, Seasons 1–3 clock in 259 seconds of unmasked moments.
  • Star Wars Holocron provided the timing data cited in the GamesRadar analysis.
  • The article places the moment within broader ongoing discussions about Mandalorian helmet rules.
  • The piece notes Pascal’s remarks about helmet scenes and their narrative purpose.
  • The article references additional related interviews and coverage from GamesRadar+.
  • The report ties the timing to fan interest and broader Star Wars media coverage.
  • The feature notes the film-length context of The Mandalorian and Grogu within current cinema.
  • Related star wars topic coverage appears under the 'Latest' and 'You may like' sections on GamesRadar+.
  • The article emphasizes ongoing star wars news coverage and newsletter prompts.
  • The timing update underscores a fan-centric discussion around helmet policy in the 'Mandalorian' universe.
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#3
Exclusive: This new Lego Star Wars Sandcrawler is a throwback to The Mandalorian Season 1
#3 out of 6
16h ago

Exclusive: This new Lego Star Wars Sandcrawler is a throwback to The Mandalorian Season 1

https://www.techradar.com/streaming/entertainment/exclusive-lego-just-revealed-a-new-star-wars-sandcrawler-set-inspired-by-the-mandalorian
Techradar.com
  • TechRadar reports Lego's exclusive reveal of the Star Wars Offworld Sandcrawler and Mudhorn set tied to The Mandalorian.
  • The 1,683-piece model features interactive elements and a Mudhorn with its egg.
  • Included minifigures are Grogu, The Mandalorian, Kuiil and two Offworld Jawas.
  • Lego revisits the Sandcrawler to align with Season 1 imagery from The Mandalorian.
  • TechRadar notes the reveal is exclusive and emphasizes the set’s fidelity to the on-screen Sandcrawler.
  • The preorder price is $199.99, with international equivalents listed in pounds and Australian dollars.
  • The Sandcrawler includes a poseable Mudhorn and cargo elements for play scenarios.
  • Lego fans gain access to detailed exterior features and interactive hatch mechanisms.
  • TechRadar highlights the cross-franchise appeal, aligning Star Wars fans with new Lego products for May the 4th period.
  • The article positions the Sandcrawler as a noteworthy addition among iconic Star Wars vehicles in Lego's lineup.
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#4
'The Mandalorian and Grogu' is a prime example that Disney's Star Wars is on life support
#4 out of 6
entertainment12h ago

'The Mandalorian and Grogu' is a prime example that Disney's Star Wars is on life support

https://www.foxnews.com/outkick-analysis/mandalorian-grogu-prime-example-disneys-star-wars-life-support
Foxnews.com
  • OutKick argues Disney's Star Wars is on life support due to weak storytelling and misaligned creative direction.
  • The analysis claims Star Wars titles have relied on nostalgia and callbacks instead of original storytelling.
  • Critics say Disney fired Gina Carano and mismanaged character development in recent projects.
  • The piece notes Star Wars box office performance compared to inflation-adjusted past releases.
  • OutKick suggests Star Wars should rethink direction to restore fan trust.
  • The article cites critical reactions calling Star Wars projects ‘homework’ for viewers.
  • The piece contrasts Star Wars' legacy with current creative choices.
  • The review highlights disappointment in recent projects like 'The Mandalorian' and related releases.
  • The article frames Star Wars as financially challenged despite high expectations.
  • The piece closes with skepticism about future Disney plans for Star Wars.
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#5
‘Obsession’ Has Dethroned ‘The Mandalorian And Grogu’ At The Box Office
#5 out of 6
entertainment12h ago

‘Obsession’ Has Dethroned ‘The Mandalorian And Grogu’ At The Box Office

https://www.forbes.com/sites/paultassi/2026/05/29/obsession-has-dethroned-the-mandalorian-and-grogu-at-the-box-office/
Forbes.com
  • Obsession appears to outpace The Mandalorian and Grogu in domestic box office during its second weekend.
  • On a Wednesday, Obsession earned about $5.6 million domestically, more than Mando’s $4.1 million for the same day.
  • Analysts project Obsession could head into a third weekend with rising revenue against Backrooms.
  • Global earnings could surpass $100 million, with some projecting up to $200 million.
  • The Mandalorian and Grogu faces a weaker trajectory compared with Solo and other Star Wars films.
  • Upcoming Star Wars releases may change the franchise’s film strategy.
  • TV space remains uncertain with few confirmed new projects beyond Ahsoka season 2.
  • The article notes a potential extension of Obsession’s release window before digital release.
  • Obsession’s global earnings could reach high multiples of its budget.
  • The report underscores a surprising trend in genre films beating established franchises at the box office.
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#6
Everybody Loves Grogu: How ‘Star Wars’ Artisans Brought the ‘Rascally’ Baby Yoda To Life
#6 out of 6
entertainment8h ago

Everybody Loves Grogu: How ‘Star Wars’ Artisans Brought the ‘Rascally’ Baby Yoda To Life

https://variety.com/2026/film/features/grogu-design-star-wars-baby-yoda-the-mandalorian-1236762425/
Variety.com
  • Grogu’s film puppet has evolved into a more advanced, fully remote-controlled version, signaling ongoing refinement by Legacy Effects.
  • Filming relied on a multi-puppeteer setup, with at least five puppeteers operating Grogu simultaneously for nuanced control.
  • Legacy Effects built five puppets for varied on-screen needs, including two hero units, a stunt puppet, a waterproof model, and a self-contained version.
  • Practical puppetry remained central, with CGI used selectively to protect the puppet during risky or messy sequences.
  • The crew used a ‘lawnmower rig’ with eccentric cams to deliver Grogu’s walking motions on screen.
  • Some scenes that involved jumping or flipping were handled with visual effects to protect the puppet, with practicals resumed when feasible.
  • Director Jon Favreau championed a practical-effects approach, embracing puppets to preserve Grogu’s charm and the film’s tactile feel.
  • The latest Grogu iteration aims for greater on-screen acting ability, offering more expressive range than prior versions.
  • Looking ahead, the team suggests Grogu could become more autonomous in future iterations.
  • The film’s on-set puppet workflow requires extensive post-production removal of puppeteers to preserve the illusion of a live, practical Grogu.
  • The team’s collaboration across designers, puppet builders, animatronics, and VFX was pivotal to Grogu’s final look and performance.
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