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entertainment14h ago
The Only Living Pickpocket in New York review – John Turturro steals this simple, charming tale
Theguardian.com and 2 more
- Harry embodies a nostalgic throwback to old New York street crime, with Noah Segan translating that bohemia into a modern Sundance-bound story that still feels intimate and lean.
- Turturro anchors the film with a measured, old-school craft that collides with today’s digital era, highlighting how CCTV and Google challenge Henry’s methods.
- The film braids a human core—reunion with an estranged daughter and a dying marriage—with a grounded, subway-and-streets setting that amplifies the tension of each caper.
- Deadline’s take emphasizes Segan’s mature directing debut, blending Blaxploitation tempo with countdown melancholy to illuminate loss and nostalgia.
- The reference underscores the film’s theme of a vanishing bohemia in New York, where old techniques meet digital-age disruption.
- Tatiana Maslany’s scene with Harry injects emotional gravity into the caper, balancing warmth with the film’s noirish mood.
- The Guardian’s review frames the film as a lean, charming old-city crime tale that rewards patient viewing and nods to a golden era of Manhattan indie cinema.
- The original Guardian piece notes the film’s focus on character-driven suspense over pure twists, aligning with Segan’s intimate, relationship-centered approach.
- The Deadline review highlights the film’s fusion of nostalgia for ‘old New York’ with a contemporary sensibility about crime and technology.
- The ending is described as bittersweet, aligning with the film’s homage to a bygone criminal ethos and offering a quietly resonant finish.
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