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Top 2 joachim trier News Today

#1
Stellan Skarsgård On First Oscar Nomination, ‘Mamma Mia!’ And ‘Dune’ Sequels & How A Stroke Changed Everything – The Actor’s Side
#1 out of 2
entertainment22h ago

Stellan Skarsgård On First Oscar Nomination, ‘Mamma Mia!’ And ‘Dune’ Sequels & How A Stroke Changed Everything – The Actor’s Side

https://deadline.com/video/stellan-skarsgard-video-interview-sentimental-value-oscars/
Deadline.com
  • Stellan Skarsgård discusses his first Oscar nomination for Sentimental Value and reflects on his long career.
  • The interview covers potential sequels to Mamma Mia! and Dune 3.
  • Deadline’s 'The Actor’s Side' series features Skarsgård discussing his craft and career.
  • Skarsgård is noted for roles in Dune, Thor, and The Girl With the Dragon Tattoo.
  • The piece situates his Oscar run within the broader 2026 awards season.
  • Skarsgård discusses the impact of a 2022 stroke on his acting and career trajectory.
  • The interview addresses whether Skarsgård will appear in future installments of popular franchises.
  • The article connects Skarsgård’s nominations to the broader 2026 Oscars coverage.
  • Deadline highlights Skarsgård’s family’s influence in the acting world.
  • The piece situates Skarsgård among other acclaimed performances and historical works.
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#2
‘Sentimental Value’: Joachim Trier on the House Montage, and Why Almost Burning His Home Down ‘Percolated in the Back of My Mind When I Wrote This’
#2 out of 2
entertainment20h ago

‘Sentimental Value’: Joachim Trier on the House Montage, and Why Almost Burning His Home Down ‘Percolated in the Back of My Mind When I Wrote This’

https://variety.com/2026/artisans/news/sentimental-value-joachim-trier-house-montage-1236673687/
Variety.com
  • Trier says the house montage spans 130 years and frames inherited trauma as a central theme.
  • Trier links a personal memory of a house fire to the film’s rebuild and changing soul.
  • The voiceover uses Bente Børsum to connect the narrative to three generations of war trauma.
  • Coutté describes the montage as a phenomenological study of space guiding editing and rhythm.
  • The team built a scale model house on set to enhance the montage’s signature moment.
  • The ending evokes a quiet reconciliation through a non-speaking moment between Nora and Gustav.
  • The house is described as a key to a broader perspective on time and family dynamics.
  • Trier notes that the montage aims for poetry rather than straightforward exposition.
  • The final frame centers Nora and Gustav within a space they’ve chosen, not around the family table.
  • Coutté explains that space leads the frame, with windows and emptiness guiding rhythm.
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