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#1
Jacqueline Zünd Explores Climate Inequality in ‘Heat,’ Premiering at Visions du Réel: ‘I Found Dystopia in Real Life’
#1 out of 2

Jacqueline Zünd Explores Climate Inequality in ‘Heat,’ Premiering at Visions du Réel: ‘I Found Dystopia in Real Life’

  • Heat premieres in Visions du Réel's main competition, spotlighting climate inequality through personal stories from the Persian Gulf region.
  • The film follows a delivery driver, a Dubai ice lounge worker, and a Kuwait meteorologist to illustrate daily life under extreme heat.
  • Zünd describes Heat as a sensory experience, prioritizing sound and visuals to convey heat rather than exposition.
  • Filming occurred at extreme temperatures, with occasional access issues and brief detentions in Dubai affecting production.
  • Heat extends Zünd’s fiction work Don’t Let the Sun, which imagined people living at night in the Persian Gulf.
  • Heat’s opening uses real mirages shot near Aswan in Egypt to visually convey heat.
  • Heat is produced by Lomotion AG with Real Film, backed by ARTE and SFR, and sold by Taskovski Films.
  • Visions du Réel runs in Nyon from April 20 to 26, showcasing the documentary in an international context.
  • Jacqueline Zünd emphasizes engaging audiences fatigued by climate news through experiential cinema.
  • Heat examines how climate change reshapes daily life across different professions and regions.
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#2
‘Heat’ review: Experiential, immersive look at life in the hottest places on Earth
#2 out of 2
weather16h ago

‘Heat’ review: Experiential, immersive look at life in the hottest places on Earth

  • Heat examines how people endure extreme heat in the Persian Gulf through intimate, character-driven scenes.
  • Sophy, a Kenyan migrant worker in Dubai, navigates life at -6° C indoors and extreme heat outside.
  • Francis, a Ugandan rider, recalls his brain feeling heated inside his helmet and a colleague's death from heat stroke.
  • Essa, a Kuwait meteorologist, warns viewers about survivable temperatures while the wealthy retreat to cooler spaces.
  • Carina, a Sharjah realtor, becomes known for rescuing stray cats amid the city’s heat.
  • The film juxtaposes daily struggles with a broader warning about climate change and energy uncertainty.
  • The visual approach uses heat haze and a yellow palette to convey an alien, hostile environment.
  • Nikolai von Graevenitz’s cinematography amplifies the documentary’s immersive feel.
  • The film could attract festival attention and distribute through specialist channels.
  • Production and sales are handled by Lomotion International and Taskovski Films.
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