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#1
The ‘Adolescence’ Formula: Writer Jack Thorne, Director Philip Barantini on Whether the Global Success of Their Show Can Be Re-Created
#1 out of 2

The ‘Adolescence’ Formula: Writer Jack Thorne, Director Philip Barantini on Whether the Global Success of Their Show Can Be Re-Created

  • Industry leaders on Content London debated if Adolescence's global impact can be repeated, with key players weighing Netflix’s role.
  • Panelists credited Netflix with enabling the show’s wider reach and support for the creative vision.
  • Thorne cautioned that crime-dominated TV trends may constrain British writers' opportunities.
  • Feller emphasized that producers can support creative vision and build infrastructure to help storytelling flourish.
  • The panel noted British accents and language can influence international sales opportunities.
  • Thorne suggested there’s a moment when a show’s timing intersects with audience appetite.
  • Emily Feller highlighted the infrastructure and support that enabled the creative team to tell their story.
  • Thorne served as President of the Writers' Guild of Great Britain and commented on industry pressures on writers.
  • Panelists recognized the show's British essence, including Liverpudlian accents, as a double-edged factor for global sales.
  • Content London 2025 ran through Thursday, providing a platform for industry leaders to discuss future trends.
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#2
‘Adolescence’ Writer on How Hit Drama Sparked False ‘Race-Swap’ Theory: ‘It Speaks to What the Whole Show Is About’
#2 out of 298.12%
crime2h ago

‘Adolescence’ Writer on How Hit Drama Sparked False ‘Race-Swap’ Theory: ‘It Speaks to What the Whole Show Is About’

  • Adolescence sparked nationwide debate over race-swap claims and online misinformation.
  • UK lawmakers and commentators linked the discussions to knife crime and media influence.
  • Writer Jack Thorne disputed the race-swap theory as ridiculous and not based on a single crime.
  • Thorne argued the story critiques online algorithms and misinformation.
  • The piece notes the show's success drew attention from press and industry panels at events like Content London.
  • The coverage links the debate to broader conversations about media portrayal and policy.
  • The article places the series' online debate in the context of parliamentary discourse and public policy.
  • Elon Musk publicly criticized the show on X, amplifying the race-swap discourse.
  • The piece notes collaborations and responses from producers including A24 and Film4.
  • The coverage references ongoing discussions in media and among viewers about the ethics of algorithm-driven narratives.
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