8legs: Focus features

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#1 out of 2

Cannes sales team reports high seven-figure offers for Club Kid, with potential eight figures as talks continue.
UT A is handling international sales for Club Kid, with Charades assisting on the international front.
Club Kid is praised for balancing a hedonistic New York portrait with a heartfelt father-and-son arc.
Festival reviews describe Club Kid as a strong directorial debut that could drive significant negotiations.
The film has generated excitement among major studios including Netflix, A24, Focus Features, and Paramount-related players.
Club Kid follows a Manhattan club promoter who faces his past when a son appears at his door.
The Cannes premiere led to a standing ovation and sparked early sales traction.
Jordan Firstman is represented by UTA, Black Bear, and The Lede Company for sales and deals.
Club Kid is produced by Alex Coco and partners, with a story about a father and son set against a party-drenched New York.

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#2 out of 2

Obsession hits theaters on May 15, 2026, marking its official release window for audiences seeking a new horror experience.
The film follows Bear, who makes a wish using a One Wish Willow to make his childhood crush fall in love with him.
The creators suggest that the film’s release strategy mirrors studio patterns, with Peacock as the likely streaming home after theatrical launch.
The movie emphasizes the peril of tampering with fate and the consequences of an obsessive love story.
The article compares Obsession to broader horror themes about wishes and consequences, encouraging theater viewing for the best experience.
Inde Navarrette co-stars as Bear’s crush, adding recognizable talent to the thriller’s cast.
The film’s theater-first approach and subsequent streaming plan reflect a typical release strategy for Focus Features and Universal Pictures.
The article notes a potential rental window at home in June or early July after the theatrical run.
Viewers are advised to experience Obsession in theaters to enjoy jump scares and communal reactions.
The piece frames Obsession as an early-year horror contender with a modern twist on cautionary wishes.

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