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Embracing Ambiguity: The Art in Craft | Glasstire
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Embracing Ambiguity: The Art in Craft | Glasstire

  • The article argues that boundaries between art and craft are fading, challenging traditional hierarchies.
  • Examples from San Antonio's ClaySA show tactile works and varied objects that blur the lines between art and utility.
  • The piece cites global examples, including Oaxaca weaving, to illustrate value beyond labels.
  • Gloria Anzaldúa’s idea of crossing cultures informs the argument for hybrid practice.
  • Glenn Adamson views the craft-art relationship as interconnected, not hierarchical.
  • The author rejects purity myths and argues for value through quality and context.
  • Historical context is used to show how crafts have moved into broader art conversations.
  • Historical maker movements are cited as precursors to today’s blended practices.
  • The piece highlights the pressure to monetize artisan work differently when made by communities versus individuals.
  • The article closes with a call to admit blending disciplines without fear of losing value insight.
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