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Top 7 cph:dox News Today

#1
‘Hell’s Army’ Director on the Rise of Russian Mercenary Legion the Wagner Group, and a Warning for the U.S.: ‘This Darkness Is Coming Everywhere’
#1 out of 7
world1d ago

‘Hell’s Army’ Director on the Rise of Russian Mercenary Legion the Wagner Group, and a Warning for the U.S.: ‘This Darkness Is Coming Everywhere’

https://variety.com/2026/film/markets-festivals/russia-mercenary-legion-hells-army-richard-rowley-1236687964/
Variety.com
  • The documentary follows Katya Hakim chasing Wagner Group founder Yevgeny Prigozhin across multiple war zones.
  • The film argues private mercenary armies reflect a broader attack on democracy and global governance.
  • Rowley says the film points to an 'authoritarian turn in our global culture' and urges action.
  • Rowley credits Korotkov and The Dossier Center for inside access and credible reporting.
  • Rowley asserts democracies don’t need mercenary armies and that the trend is dangerous for the liberal order.
  • The world premiere occurred at the CPH:DOX festival, signaling international interest.
  • Rowley describes Wagner as a private army that conquered a European city, a historic anomaly.
  • Hakim’s journalism is framed as a crucial counterbalance to powerful actors.
  • Rowley notes the film links Russia’s authoritarianism with trends seen in the United States.
  • The filmmaker emphasizes the need to preserve journalism amid increasing political fragmentation.
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#2
‘Whispers in May’ Director on Coming-of-Age Roadtrip Set in Rugged Region of China: ‘It’s Not Just About Beauty; Those Mountains Carry Weight’
#2 out of 7
entertainment1d ago

‘Whispers in May’ Director on Coming-of-Age Roadtrip Set in Rugged Region of China: ‘It’s Not Just About Beauty; Those Mountains Carry Weight’

https://variety.com/2026/film/global/whispers-in-may-dongnan-chen-cph-dox-1236688422/
Variety.com
  • Whispers in May from Chinese director Dongnan Chen world premieres in the main competition at CPH:DOX.
  • The documentary follows 14-year-old Qihuo and two friends as they road trip to buy a ceremonial skirt.
  • Chen describes the film as a ‘reluctant coming-of-age film’ about universal adolescence and tradition.
  • The mountains in Liangshan symbolize both freedom and the weight of tradition for the girls.
  • Chen aims to portray subjects with grace, rejecting rough, poverty-focused imagery common in earlier Chinese independent documentaries.
  • The film received support from multiple funds, including IDFA Bertha Fund and Field of Vision.
  • The world premiere is set for CPH:DOX in March, with the festival running through March 22 in Copenhagen.
  • Chen plans a new project exploring the intimacy between observer and subject in a hybrid film blending reality and fiction.
  • The film is produced by Muyi Film and Tail Bite Tail Films, highlighting collaboration with Chinese and international partners.
  • Other related festival content referenced alongside ‘Whispers in May’ includes coverage of other projects by Honeyland, Cleveland Versus Wall Street directors at Visions du Réel.
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#3
How the ‘Where the Silence Is Heard’ Co-Directors Confronted Inherited Trauma in a Chilean Family
#3 out of 7
entertainment23h ago

How the ‘Where the Silence Is Heard’ Co-Directors Confronted Inherited Trauma in a Chilean Family

https://www.hollywoodreporter.com/movies/movie-news/where-the-silence-is-heard-film-interview-family-trauma-1236529872/
Hollywoodreporter.com
  • Where the Silence Is Heard debuts in Copenhagen's Next:Wave program, exploring intergenerational trauma through a Chilean family story.
  • The film follows Pena and García as they renovate a Chilean exile house and piece together three generations of memory.
  • Something Familiar follows Rachel Taparjan helping Mihaela trace her birth mother in Romania while exploring family trauma.
  • Taparjan discusses trauma-informed filmmaking and using casting to explore maternal archetypes in Something Familiar.
  • Taparjan explains casting her mother with actresses to sit in for her as a storytelling device in Something Familiar.
  • The THR interviews underscore the films' world premieres at CPH:DOX and their focus on personal, intimate trauma.
  • Something Familiar includes discussions of ethics of care and trauma-informed practices in production.
  • Both films position women filmmakers at the center of deeply personal explorations of trauma and memory.
  • CPH:DOX serves as a platform for introspective trauma narratives from Europe and the UK, as THR reports.
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#4
‘The Oligarch and the Art Dealer’ Directors on the Billion-Dollar Feud Exposing the Hidden Art Market: ‘Better Than Gold and Diamonds’
#4 out of 7
entertainment20h ago

‘The Oligarch and the Art Dealer’ Directors on the Billion-Dollar Feud Exposing the Hidden Art Market: ‘Better Than Gold and Diamonds’

https://variety.com/2026/tv/global/oligarch-art-dealer-doc-series-cphdox-1236688676/
Variety.com
  • The Oligarch and the Art Dealer traces a decade-long dispute over masterpieces worth hundreds of millions.
  • The series examines how private deals and offshore structures keep art assets out of public view.
  • Geneva Freeport network features prominently as a hub for storing high-value artworks.
  • Directors say the film avoids a simple innocence-vs-guilt narrative, focusing on power and systems.
  • The series includes reenactments in a studio to illustrate behind-the-scenes meetings.
  • The film notes art is treated as financial assets within a private market system.
  • Global sales are handled by CAA Media Finance with Dogwoof handling sales outside North America.
  • The three-episode series had its world premiere at CPH:DOX on March 15.
  • A feature-length version of the project is planned to premiere next spring.
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#5
‘The Cord’ Review: A Real Hero for Our Times in Nolwenn Hervé’s Compassionate Portrait
#5 out of 7
entertainment18h ago

‘The Cord’ Review: A Real Hero for Our Times in Nolwenn Hervé’s Compassionate Portrait

https://variety.com/2026/film/reviews/the-cord-review-documentary-venezuela-1236688464/
Variety.com
  • The Cord centers Carolina, a Venezuelan advocate for women’s health, as the film’s compassionate protagonist.
  • Director Nolwenn Hervé captures Carolina’s daily work in Maracaibo, including logistics for hospital visits and supplies.
  • The film emphasizes Carolina’s complex past and her determination to atone through service.
  • Hervé’s intimate cinematography uses voiceover to convey Carolina’s emotions and history.
  • The Cord presents a vivid portrait of a community where hospitals often lack essential care.
  • The documentary blends authentic scenes from a makeshift hair salon and community events to show everyday life.
  • The Cord has been described as inspirational, with Carolina presented as a real life hero of our times.
  • The film is in Spanish and Wayuu, with production and festival context noted in the review.
  • The Cord aims to inspire audiences by showcasing a defender of women’s health amid political and health crises.
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#6
‘Whispers in May’ Review: A Poetic Portrait of Adolescence Caught Between Joy and Duty
#6 out of 7
entertainment16h ago

‘Whispers in May’ Review: A Poetic Portrait of Adolescence Caught Between Joy and Duty

https://variety.com/2026/film/reviews/whispers-in-may-review-1236688538/
Variety.com
  • China’s Whispers in May delivers a lyrical, observational portrait of a 14‑year‑old girl’s coming of age in Liangshan.
  • The film captures both childhood moments and growing responsibilities as Qihuo’s family pressures rise.
  • A pivotal puberty moment leads to a journey with friends to find a traditional skirt as a rite of passage.
  • The review notes moments of lush joy—swimming, teasing with boys, and carefree scenes that reveal Qihuo’s hidden ease.
  • The documentary’s shift into ‘improvised fiction’ introduces a narrative turn that some segments feel to stretch the rhythm.
  • Despite some drift, the film lands a poignant, lyrical ending that leaves viewers with a note of hope.
  • Dongnan Chen’s direction earns praise for a strong point of view and restrained storytelling.
  • The review highlights the film’s close camera work and facial close‑ups to reveal inner emotions.
  • The film is a collaboration with its protagonists, maintaining authenticity even with some narrative invention.
  • Production details place the film within CPH: DOX’s competitive program and multinational collaboration.
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#7
How Ursula K. Le Guin’s “Carrier Bag Theory” Inspired Two CPH:DOX Films
#7 out of 7100.00%
entertainment1h ago

How Ursula K. Le Guin’s “Carrier Bag Theory” Inspired Two CPH:DOX Films

https://www.hollywoodreporter.com/movies/movie-news/ursula-k-le-guin-carrier-bag-theory-inspired-cphdox-films-1236533034/
Hollywoodreporter.com
  • CPH:DOX features two films inspired by Ursula K. Le Guin's Carrier Bag Theory, reframing storytelling away from hero quests.
  • The Mother Age explores traces of a parallel history by linking archaeology, forests, and ancient narratives.
  • Daughters of the Forest Deep centers two indigenous mycologists, blending science fiction with indigenous knowledge.
  • Le Guin's theory is framed as a shift from weapon-centric history to tools for gathering and coexistence.
  • CPH:DOX runs through March 22 and features multiple Le Guin-inspired projects in its lineup.
  • The Mother Age is described as a journey of (re)discovery through Finnish forests and legendary landscapes.
  • Daughters of the Forest Deep emphasizes a fusion of folklore, ecology, and feminist perspectives.
  • The films aim to build networks and communities around reimagining the future rather than conquest.
  • CPH:DOX showcases how Le Guin's Carrier Bag Theory remains influential in contemporary documentary filmmaking.
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