8legs: Chloé zhao

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#1 out of 3142.1K est. views

The Independent argues Hamnet is emotionally manipulative, not nuanced in its grief portrayal.
The review praises Buckley’s commitment but says the performance is hampered by a blunt script.
The piece compares Hamnet to Maggie O’Farrell’s novel, noting the film shifts focus and includes Shakespearean ‘IP’ elements.
The review criticizes the score and editing as overbearing, reducing subtext and nuance.
The piece notes Zhao’s prior Nomadland success contrasted with a more literal, less subtle approach in Hamnet.
The reviewer claims Hamnet is designed to be universally relatable but fails to deliver depth.
The article asserts the film introduces an origin story for Hamlet’s soliloquy and includes three witches from Macbeth.
The Independent highlights a perceived mismatch between the source material and the film’s execution.
The review notes the film leans into ‘IP’ references to boost accessibility and prestige.
The article claims the film substitutes emotional authenticity with overt, obvious cues.
Overall, the review questions whether Hamnet’s aim to universalize grief succeeds creatively.

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#2 out of 3562.0 est. views

The film Hamnet by Chloé Zhao shifts focus from a Hamlet plot to Shakespeare’s family life and grief after his son Hamnet’s death.
Paul Mescal plays William Shakespeare while Jessie Buckley portrays Agnes, anchoring the film’s emotional center.
Hamnet’s title reflects Elizabethan naming nuances; scholars note Hamnet and Hamlet names were interchangeable in Shakespeare’s era.
The plot timeline places Hamnet’s baptism in 1585 and his burial in 1596, with Hamlet the play emerging around 1600.
Critical reception highlights outstanding visuals and performances, even as some reviewers call the pacing slow and deeply somber.
Golden Globes recognition reinforced the film's prominence this award season, including Best Motion Picture – Drama and Best Actress – Drama for Buckley.
The Atlantic’s analysis and Smithsonian Magazine contribute to the view of Hamnet’s historical context and title choice.
The film’s logline centers on a healer and Agnes grappling with grief after Hamnet’s plague-related death.
The broader TIFF and critics’ dialogue feature references to the film among awards chatter and direct quotes about its bold third act.
RogerEbert.com’s Christy Lemire offered a mixed take, calling Buckley and Mescal’s performances powerful but sometimes overbearing.

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#3 out of 3

The directors emphasize authenticity as a core value guiding both intimate scenes and big-budget projects.
James Cameron discusses heart-driven storytelling, describing his films as love stories despite technical prowess.
Chloé Zhao opens up about personal growth influencing her choice to direct Hamnet and other projects.
Ryan Coogler explains his decision to revert ownership of Sinners after 25 years as a strategic, ethical choice.
The group discusses the realities of moving from independent films to large studio systems and maintaining control.
Directors share how second units and coordination evolve in larger productions, including how they handle on-set dynamics.
Yorgos Lanthimos notes how collaboration with Emma Stone has grown into a trusted, theatre-like troupe around their films.
Chloé Zhao describes using dream work and somatic exercises as rehearsal tools on Hamnet.
The piece highlights Cameron and Bigelow as veteran directors offering perspectives on craft and collaboration.
The roundtable touches on the personal motivations and influences behind each filmmaker’s career choices.

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