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Top 45 cannes film festival News Today

Juliette Binoche, Adèle Haenel, Swann Arlaud Protest Billionaire’s Bid for French Cinema Chain UGC as “Fascist Takeover”

#1 out of 45

entertainment10h ago

Juliette Binoche, Adèle Haenel, Swann Arlaud Protest Billionaire’s Bid for French Cinema Chain UGC as “Fascist Takeover”

Hollywoodreporter.com

More than 600 French film professionals signed an open letter opposing Vincent Bolloré’s plan to take full control of UGC by 2028.
The letter warns the takeover could amount to a ‘fascist takeover of the collective imagination’ and concentrates financial power in Bolloré’s hands.
Bolloré’s stake in UGC is 34 percent via Canal+, with a goal to achieve full control by 2028.
The protests come as part of wider industry backlash against perceived political influence in media assets.
Bolloré defends his acquisitions as financial moves to expand French cultural soft power, not ideological motivation.
The open letter argues industry ties to Bolloré threaten future film funding and creative independence.
The open letter links the UGC deal to broader risks for French cultural institutions, including CNC and public broadcasting.
The piece places Bolloré’s media footprint among major assets, including Canal+, CNews and Studiocanal.
The letter emphasizes the risk of reduced autonomy for film professionals if financial power concentrates under Bolloré.
The article notes a history of industry pushback, including a 2022 senate hearing about Bolloré's motives.

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Guillermo del Toro Declares Art Can’t Be ‘Done With a F—ing App!’ as He Brings ‘Pan’s Labyrinth’ Back to Cannes After 20 Years: ‘The Second Worst Filmmaking Experience of My Life’

#2 out of 45

entertainment8h ago

Guillermo del Toro Declares Art Can’t Be ‘Done With a F—ing App!’ as He Brings ‘Pan’s Labyrinth’ Back to Cannes After 20 Years: ‘The Second Worst Filmmaking Experience of My Life’

Variety.com

Del Toro unveiled a new 4K restoration of Pan's Labyrinth at Cannes, signaling renewed prestige for the film.
Del Toro recalled the making of Pan's Labyrinth as a difficult process with financing and production hurdles.
The director tied the film’s timely resonance to contemporary debates, cautioning against art being reduced to apps.
Pan's Labyrinth is featured in Cannes Classics as the restoration was supervised from the original 35mm negative.
The 2006 film earned a record ovation at its world premiere and solidified its standing as a festival favorite.
Pan's Labyrinth remains notable for awards, box office, and its lush visual design, contributing to its classic status.
Del Toro mentioned a personal philosophy about leaving a mark and choosing courage over fear.
The Cannes appearance featured extensive coverage and related stories about the festival and industry figures.
Cannes Classics continues to spotlight restored classics, including Pan's Labyrinth, underscoring the festival's archival focus.
The piece also notes the film’s cast, including Ivana Baquero, Doug Jones, and Maribel Verdú, who participated in Cannes events.

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Iris Knobloch Says ‘What’s Changed Isn’t Cannes’ Relationship With Hollywood — It’s Hollywood Itself’

#3 out of 45

entertainment8h ago

Iris Knobloch Says ‘What’s Changed Isn’t Cannes’ Relationship With Hollywood — It’s Hollywood Itself’

Variety.com

Cannes president Iris Knobloch says the shift isn’t Cannes’ relationship with Hollywood—it's Hollywood itself, amid industry changes.
Knobloch notes a strong Cannes lineup with 11 U.S. titles and positions the festival as a premier launchpad for American independent cinema.
She highlights the festival’s role in facilitating dialogue and protecting independence and artistic excellence amid global tensions.
Knobloch says streaming and theatrical releases can complement each other, with Amazon and Netflix increasing involvement with exhibitors.
She expresses hope that Netflix could return to Cannes for the festival’s 80th anniversary.
Knobloch emphasizes diversity and parity, noting 34% of competition directors are women and parity in Un Certain Regard.
She defends the festival’s non-political stance, with a governance structure protecting independence and no sponsor influence.
Knobloch reiterates that streaming platforms are welcome, with competition requiring a theatrical release in France.
She points to international diversity, with six films from Asia, one from Congo, and four from Spain in this year’s selection.

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Cannes honours Jackson, Middle Earth wizard who 'transformed' cinema

#4 out of 45

entertainment10h ago

Cannes honours Jackson, Middle Earth wizard who 'transformed' cinema

Uk.news.yahoo.com and 3 more

Peter Jackson receives an honorary Palme d'Or from Elijah Wood during Cannes opening, underscoring his enduring impact on epic cinema and The Lord of the Rings legacy.
Cannes 2026 opens with Jackson’s tribute, highlighted by Elijah Wood presenting the Palme and recalling their shared Lord of the Rings journey.
Opening remarks at Cannes 2026 praised cinema as a unifying force, with leaders emphasizing shared human emotions and resilience through storytelling.

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Meet ‘Coward’: The Cannes-Bound War Film That Dares to Be Tender

#5 out of 45

entertainment10h ago

Meet ‘Coward’: The Cannes-Bound War Film That Dares to Be Tender

Hollywoodreporter.com

Dhont reveals his Cannes-bound film Coward centers on intimate bonds amid World War I, reframing the war story through emotion.
Dhont aims to shift focus from battles to the men’s emotional lives, exploring masculinity and vulnerability on the front.
The film uses authentic period music and a real camp site to recreate the era and deepen realism.
Coward will premiere at Cannes on May 21, with Dhont continuing his trajectory from Girl to a more expansive war-scale drama.
Dhont emphasizes immersive, intimate storytelling by following a single character’s perspective through the war.
The film explores the stigma and choices around desertion and the question of heroism in wartime.
Director Dhont’s past success with Girl informs his approach to sensitivity and emotional depth in Coward.
The production situates scenes at a real World War I camp site to heighten authenticity.
The film blends archive-inspired visuals with new music to anchor the period feel.
The film’s title prompts reflection on courage, punishment, and the fate of deserters in Belgium’s wartime history.

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Woody Harrelson On 'Full Phil' With Kristen Stewart At Cannes

#6 out of 45

entertainment10h ago

Woody Harrelson On 'Full Phil' With Kristen Stewart At Cannes

Deadline.com

Harrelson revealed he joined Full Phil after a meeting with Quentin Dupieux and producer Hugo Sélignac, with casting finalized within two months.
Dupieux’s film is described by the director as ‘Emily in Paris in hell,’ signaling a darkly comic tone.
Harrelson emphasized his interest in European cinema, noting great work from French directors and a preference for European projects.
He recalled Triangle of Sadness’ Cannes reception as a turning point in his European career.
Harrelson discussed balancing work across film, TV, and theater, including upcoming projects with Jason Bateman and Sam Rockwell.
He shared a candid stance on reading reviews, saying he never reads them to protect his mental health.
Harrelson highlighted his interest in working with young European directors and keeping options open for diverse collaborations.
The interview touched on Harrelson’s broader Cannes experiences and the appeal of European cinema culture.
He mentioned a potential project with French director and expressed admiration for their work.
Harrelson described Full Phil as a two-character, theater-like experience with rapid-fire pages and on-set efficiency.

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Demi Moore Says Hollywood Must ‘Find Ways’ to Work With AI but Is ‘Probably Not’ Doing Enough Regulation: ‘To Fight It Is to Fight’ a ‘Battle We Will Lose’

#7 out of 45

celebrities10h ago

Demi Moore Says Hollywood Must ‘Find Ways’ to Work With AI but Is ‘Probably Not’ Doing Enough Regulation: ‘To Fight It Is to Fight’ a ‘Battle We Will Lose’

Variety.com and 1 more

Demi Moore reiterates that Hollywood cannot win by resisting AI; instead, it should collaborate with the technology to shape its use in film and art.
She stresses AI cannot replace human artistry or the soul of art, underscoring that true creativity arises from human spirit rather than technical means.
Moore questions whether protections are adequate but leans toward preserving artistic freedom as a paramount concern.
She links art's core to expression, arguing that censoring creativity would erode the very essence of storytelling and truth-seeking.
Cannes’ leadership signals that streaming and AI-driven shifts are forcing a rethinking of festival economics and structure.
The festival notes a relative reduction in Hollywood films as the industry undergoes a major shake-up, reflecting broader shifts in production and distribution.
Moore serves on Cannes’ competition jury, joining Park Chan-wook, highlighting the festival’s emphasis on leadership voices amid industry changes.
The jury, including Ruth Negga and Chloé Zhao, underscores Cannes’ continued gathering of top creators amid political and artistic debates.
Park Chan-wook asserts that art and politics need not be enemies; a well-expressed political statement can coexist with artistic integrity.
Moore cautions that free expression should not be curtailed by fear of politics, emphasizing that censorship harms the core of creativity.
The Guardian piece frames Moore’s remarks as a call to the industry to embrace AI thoughtfully while avoiding its erasure of human artistry.

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Robert Lorenz To Direct ‘Hardcourt’ From ‘The Revenant’ Scribe Mark L. Smith — Cannes Market

#8 out of 45

entertainment12h ago

Robert Lorenz To Direct ‘Hardcourt’ From ‘The Revenant’ Scribe Mark L. Smith — Cannes Market

Deadline.com

Robert Lorenz will direct the psychological thriller Hardcourt, with production slated for early 2027.
The project is produced by Ehud Bleiberg and Ariel Bleiberg with Suzanne Lyons’ Snowfall Films, and Bleiberg will handle worldwide sales.
Hardcourt centers on a respected college basketball coach accused of murdering his mistress, with a Gone Girl and Basic Instinct influence.
Mark L. Smith, known for The Revenant, wrote the screenplay for Hardcourt.
The production teams aims to begin filming in early 2027, with casting underway.
Cannes Market serves as the platform where Bleiberg is presenting Hardcourt for worldwide sales.
Robert Lorenz has prior collaboration history with Clint Eastwood and has directed thrillers like The Marksman.
The official synopsis centers on old rivalries surfacing as a defense attorney unpacks the crime.
Deadline reports the news as an exclusive on the Cannes Market lineup.

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#9 out of 45

entertainment12h ago

From Cannes to Commerce: How Authentic Studios Is Turning Fashion Brands Into Content

Uk.finance.yahoo.com

Authentic Brands Group launches Authentic Studios in 2023 to produce stories from its own brand portfolio.
The studio consolidates multiple production arms to develop films, series, and digital content from owned IP.
Authentic Studios aims to turn brand histories into long-term value beyond licensing.
Plans include a Muhammad Ali series for Amazon and other projects tied to Barneys and Reebok.
The approach centers on authenticity rather than overt product placement.
Authentic Studios operates with an asset-light philosophy while expanding IP-driven productions.
The business model links storytelling to brand performance, forming a ‘flywheel’ effect.
Barneys’ revival is part of the pipeline with a drama in development tied to its opening era.
Authentic Studios aims to lift brand 'heat' and retail performance through compelling content.
Executives stress ROI may be indirect and not immediately transactional.

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#10

Cannes Juror Paul Laverty Says ‘Shame on Hollywood’ for Blacklisting Susan Sarandon and More Actors Who Oppose War in Gaza: ‘They’re the Best of Us’

#10 out of 45

entertainment8h ago

Cannes Juror Paul Laverty Says ‘Shame on Hollywood’ for Blacklisting Susan Sarandon and More Actors Who Oppose War in Gaza: ‘They’re the Best of Us’

Variety.com and 2 more

Laverty denounces Hollywood’s boycott of actors who oppose Gaza violence, emphasizing solidarity with Sarandon and other dissenting artists.
The Cannes jury, including Laverty, defends diverse voices and imagines a festival free from industry-led blacklisting amid Gaza-related debates.
The reference underscores a contrast between a festival poster celebrating cinema and real-time debates over political expression in Cannes.
Deadline coverage notes Laverty’s stance mirrors broader critiques of censorship and fear of dissent in the entertainment industry.
Laverty highlights solidarity with Sarandon and other artists who speak out against Gaza-related violence, aligning with Cannes’ jury ethos.
Sarandon’s advocacy is noted as impacting her career, with Laverty and others framing it within a broader conversation on artistic risk and censorship.
The Al Jazeera report frames Laverty’s remarks as part of Gaza-war coverage and the tension between art, politics, and industry pressures.
Deadline’s coverage points to ongoing debates about AI, censorship, and political content within juried festival discussions.
The reporting emphasizes Laverty’s message of respect and solidarity extending to Sarandon and fellow dissenters amid industry pushback.
The new reference reinforces that Cannes, as a platform, remains central to debates over artistic expression in the context of Gaza warfare.

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