8legs: Cannes film festival

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#1 out of 3

ICEX unveils La Tarara and La Llama for Cannes, adding Flamenco to its Where Talent Ignites showcase.
La Tarara stars Ingrid García-Jonsson and is positioned as a symbolically charged work blending performance and design.
La Llama opens onto animation, architecture and design, using Hayon’s universe as its spine.
Flamenco, directed by Carla Simón, revisits flamenco through a contemporary lens and was already unveiled at Rotterdam.
ICEX CEO Elisa Carbonell emphasizes Spain’s standout moment in audiovisual as campaign expansion,”
La Tarara features Ingrid García-Jonsson with a design-driven, tightly stylized frame.
La Llama builds on Hayon’s creative universe to trace a living dialogue with global contemporary culture.
Cannes will serve as the premiere location for the three pieces with international rollout to follow.
The campaign expands across film, fashion, music, design and contemporary culture under the 2026 edition.
La Llama is produced in collaboration with White Horse and Apartamento, highlighting Hayon’s design universe.

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#2 out of 3

The Hollywood Reporter notes several major titles unlikely to premiere at Cannes 2026, signaling shifts toward traditional releases.
Despite misses, Cannes 2026 could still deliver an auteur-heavy lineup with Almodóvar, Farhadi, Pawlikowski and Dhont expected in time.
Paweł Pawlikowski’s 1949 is highlighted as a strong competition possibility, inspired by Colm Tóibín's The Magician.
The report mentions Lars von Trier’s After as a potential Cannes entry, noting his health and recent work.
Hamaguchi’s All of a Sudden is highlighted as a French-language follow-up with a potential Cannes run.
Miike’s Bad Lieutenant: Tokyo and an untitled Charli XCX horror project are among Miike's Cannes possibilities.
Kore-eda’s Sheep in the Box is described as a strong Cannes contender with a May 29 Japanese release window lining up with a Cannes launch.
Andrey Zvyagintsev’s Minotaur is cited as a potential Cannes competition entry, with production wrapped in December.
The piece notes a broader strategic mix of competition slots and sidebars, including Un Certain Regard considerations.
The report frames Cannes 2026 as still capable of delivering a strong lineup despite some long-gestating projects being deferred.
The article emphasizes coordinated international production and sales efforts shaping Cannes prospects.

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#3 out of 3

Anthony Chen is producing the Malaysian drama 'Somewhere in the South' with Tan Ce Ding and others at Giraffe Pictures.
Somewhere in the South explores identity through a small-town by-election and a tiger mascot role.
The project is among 17 in-development titles at HAF seeking international partnerships.
The production aims to broaden international reach beyond a single market.
Tan Ce Ding's feature is filmed in multiple languages including Mandarin, Malaysian Cantonese, English and Malay.
Chen highlights the collaboration as a long-time coming with CD and Edward Lim.
Tan Ce Ding explains the film centers on margins of a system and the pull of fleeting attention in a by-election.
The director discusses how the mascot role tests identity and power for the protagonist Boon.
Chen notes the project aims to connect with audiences beyond the region through international collaboration.
The film marks Chen’s latest producing venture since the Berlinale title 'We Are All Strangers.'

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