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Meghan has been cast as the inverse to Diana, a photonegative of adoration. Why do we need scapegoats? | Brigid Delaney
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Meghan has been cast as the inverse to Diana, a photonegative of adoration. Why do we need scapegoats? | Brigid Delaney

  • Meghan is described as the inverse to Diana, a photonegative of adoration, in a commentary on public scapegoating.
  • The piece notes Meghan faced about five times more negative press in 2019 than Catherine, according to Brandwatch data.
  • The author links scapegoating to broader British anxieties including Brexit and the monarchy's post-Diana evolution.
  • The piece argues the media profits from rage and feeds the scapegoat narrative.
  • The author cites the idea that scapegoats relieve communal tensions by absorbing violence, per René Girard.
  • The column frames Meghan’s roles and media attention as part of a broader cultural war on 'wokeness'.
  • Diana’s legacy is described as a model of public adoration that Meghan is contrasted with.
  • The piece suggests Meghan and Harry’s ventures are controversial in Australia and beyond.
  • The article warns about dehumanizing public figures by reducing them to symbols of national mood.
  • The piece emphasizes that scapegoating affects both Meghan and Diana as complex individuals.
  • The Guardian column argues public sympathy shifts with the monarchy’s evolution after Diana.
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