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entertainment1d ago
Genre-Bending Country Singer on What Beyoncé Could Have Done Differently To Win Over Nashville: “Reception to Her in Town Would Have Been a Little Different”
Americansongwriter.com and 1 more
- Breland argues Nashville’s reception of Beyonc e9 hinged on how closely an artist follows local norms and partnerships, not just cross-genre appeal.
- Breland compares Beyonc e9 to BigXthaPlug, noting the latter's strategy of leaning into collabs with pop and country artists as a recipe for success.
- Breland suggests Beyonc e9's use of lesser-known collaborators contributed to a cooler Nashville reception compared with more mainstream crossovers.
- A local-integration path—being in town, writing with local writers, and performing at CMA events—could have altered listeners' reception of Beyonc e9 in Nashville.
- Breland highlights AI as a disruptor shaping Nashville's evolving music scene and cross-genre dynamics.
- The Nashville Now episode frames the discussion around why some non-country artists gain Music Row acceptance while Beyonc e9 did not.
- The piece situates Breland’s stance in contrast to Beyonc e9's approach, pointing to authenticity as a key point of debate in crossovers.
- Breland respects Beyonc e9's choice to deviate from conventional pathways, noting that her approach carries its own honor.
- The CMA Awards context is cited to illustrate cross-genre collaborations that shape Nashville's current listening culture.
- Overall, Breland frames Beyonc e9's Cowboy Carter as a significant but divisive milestone in country music's ongoing openness to outsiders.
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