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‘The beast inside me wants to move!’ The smart, slapstick world of Audrey Hobert, the Steve Martin of pop
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‘The beast inside me wants to move!’ The smart, slapstick world of Audrey Hobert, the Steve Martin of pop

  • Audrey Hobert, known for collaborating with Gracie Abrams, is pursuing a solo pop path after contributing six songs to Abrams’ album The Secret of Us.
  • Hobert’s act blends breezy pop with dense, witty lyrics and a flair for slapstick, mirroring a modern Steve Martin influence.
  • The interview places Hobert in Berlin as she prepares for live shows and contends with the pressure and opportunities of growing fame.
  • Hobert describes her stage persona—long trenchcoats, Groucho glasses, and onstage tricks—as a deliberate misdirection that blends comedy with music.
  • Hobert emphasizes the importance of imperfection in pop and aims to be a positive, relatable figure for outcasts.
  • She notes a preference to avoid over-polishing, asserting she would rather perform authentically than conform to polished pop norms.
  • Hobert reflects on personal growth, including coping with hair-pulling disorder and finding balance between life and art.
  • Hobert plans to keep writing with Gracie Abrams while exploring opportunities in film and TV writing.
  • Her breakout single ‘Sue Me’ is highlighted as a defining track about desire and nonconformity in a language of humor and candor.
  • The profile frames Hobert as a rising star with a clear sense of self, aiming to grow on her own terms rather than chasing trends.
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