8legs: Andrew stanton

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#1 out of 3

Sloan and Sundance named In The Blink of An Eye the 2026 Feature Film Prize winner at Sundance, noting its science-centered storytelling.
The prize went to In The Blink of An Eye, directed by Andrew Stanton with Colby Day, centered on science and human progress across eras.
Three Sloan artist grants were announced: Speak for the Dead: Excited Delirium, Stem, and Cyborg Beast.
The artists share a total of $84,000 in cash awards from Sloan Foundation.
Sloan officials highlighted a long-standing partnership with Sundance to uplift filmmakers exploring science and humanity.
Dor on Weber of Sloan credited recognizing stories that bridge science and humanity.
The initiative supports development through fellowships and grants linked to Sundance’s programs.
The 2026 jury for the Sloan prize included notable scientists and filmmakers.
The press materials outline Sloan’s broader mission to engage public understanding of science through film.

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#2 out of 33.9K est. views

The film ambitiously spans three timelines—prehistoric, present, and future—yet its structure often feels like three separate stories rather than a cohesive single narrative.
The Neanderthal sequence is praised for its clarity and emotional intensity, anchoring the film even as other timelines wobble.
Kate McKinnon’s space-chronicle portion undercuts its own drama due to tonal imbalance and delivery issues with the on-board crisis.
The emotional stakes of the Neanderthal arc stay at a high pitch, but later timelines dilute that intensity and focus.
Andrew Stanton’s overarching concept about life’s origins and destiny remains grand, yet the execution feels hampered by a tri-pronged narrative that never fully coheses.
Thomas Newman’s score is noted as fluid, helping lift the film’s visuals even when the storytelling stalls.
The climactic twist arrives abruptly and unsettles tonal balance, undermining earlier setup and expectations.
Visual ambition and world-building are praised, even as pacing and dialogue receive more mixed reactions.
A recurring motif of an acorn links the three eras, underscoring themes of life, heritage, and continuity.
Deadline’s Sundance premiere framing places the film within Hulu and Searchlight Pictures’ distribution framework, signaling the festival-to-streaming path.
Overall, the film aspires to a sweeping meditation on time and humanity, but critics describe it as woolly and sentimental, with uneven pacing and dialogue.

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#3 out of 3

The film, directed by Andrew Stanton, premiered at the Sundance Film Festival and centers on a triptych story spanning ancient and future timelines.
Rashida Jones and Kate McKinnon deliver measured performances, with McKinnon shedding some of her signature shtick for a serious monologue at the film’s end.
The review criticizes the plot as broad and generic, suggesting it relies on a hopeful message rather than nuanced character arcs.
Thomas Newman provides a melancholy score that compliments the film’s emotional aims.
The film endeavors to celebrate life and address fear of death within a 'timeless collective spirit' framework.
K McKinnon’s performance stands out as emotionally прямeral, especially in her final moments.
The film’s ambition includes exploring long time spans, from Neanderthals to space colonists, to reflect on human continuity.
Stanton’s prior work and Sundance premieres provide context for expectations around the film’s reception.
The review notes the film’s final emotional moment leaves the viewer with a sense of shared humanity.
Overall, the film is described as well-intentioned but flawed, with a message that may feel insufficient against existential chaos.

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