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https://www.theguardian.com/film/2025/oct/22/the-hand-that-rocks-the-cradle-reviewhttps://www.thetimes.com/culture/film/article/the-hand-that-rocks-the-cradle-review-satisfyingly-evil-mary-poppins-returns-pmz7d6whbhttps://www.thewrap.com/the-hand-that-rocks-the-cradle-review-mary-elizabeth-winstead-maika-monroe/
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Highlights
  • The Hand That Rocks the Cradle remake lands on Disney+ and Hulu as a tense, mood-driven thriller that balances realism with escalating danger.
  • Maika Monroe delivers a poised, unsettling performance grounding the maternal-threat dynamic in a contemporary suburban setting.
  • Polly’s revised motive adds freshness to the setup, though the plan’s specifics invite skepticism and don’t fully withstand scrutiny.

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References

The Hand That Rocks the Cradle review – serviceable 90s thriller remake

The Hand That Rocks the Cradle review – serviceable 90s thriller remake

The Hand that Rocks the Cradle review — satisfyingly evil Mary Poppins returns

The Hand that Rocks the Cradle review — satisfyingly evil Mary Poppins returns

‘The Hand That Rocks the Cradle’ Review: Looks Like Mary Elizabeth Winstead Picked the Wrong Nanny

‘The Hand That Rocks the Cradle’ Review: Looks Like Mary Elizabeth Winstead Picked the Wrong Nanny

‘The Hand That Rocks the Cradle’ Review: Maika Monroe Is a Nanny from Hell in Hulu’s Safe and Streamlined Remake of Lurid ’90s Classic

‘The Hand That Rocks the Cradle’ Review: Maika Monroe Is a Nanny from Hell in Hulu’s Safe and Streamlined Remake of Lurid ’90s Classic

Mary Elizabeth Winstead Tapped into Her ‘Maternal Anxieties and Fears’ for Hand That Rocks the Cradle (Exclusive)

Mary Elizabeth Winstead Tapped into Her ‘Maternal Anxieties and Fears’ for Hand That Rocks the Cradle (Exclusive)

The Hand That Rocks the Cradle movie review (2025) | Roger Ebert

The Hand That Rocks the Cradle movie review (2025) | Roger Ebert

‘The Hand That Rocks the Cradle’ Review: Mary Elizabeth Winstead and Maika Monroe Smudge the Line Between Victim and Villain in Bland Remake

‘The Hand That Rocks the Cradle’ Review: Mary Elizabeth Winstead and Maika Monroe Smudge the Line Between Victim and Villain in Bland Remake

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