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entertainment1d ago
How Indie Producer High Frequency Put Together Its Biggest Year Yet With ‘Lurker,’ ‘Sorry, Baby’ and ‘Roofman’
- High Frequency grew from a niche arthouse financier to a broader film financier, signaling a major year of expansion.
- Lurker and Sorry, Baby were key titles driving awards attention for High Frequency this year.
- Roofman, a $19 million dramedy with Channing Tatum, premiered to strong reviews and grossed over $30 million worldwide.
- Executives emphasised controlling costs to navigate a shakier box office future and AI’s role in the industry.
- The Gotham Awards spotlight reflects a broader pivot to funding and distributing provocative, distinct works.
- High Frequency has added notable titles like The Last Showgirl and Memory, showcasing a diverse slate.
- Montgomery and Orlovsky formed a long-standing partnership dating back to Dallas and collaboration on multiple projects.
- Lurker sold to Mubi for a mid-seven-figure price at Sundance, underscoring High Frequency’s market appeal.
- Sorry, Baby was snapped up by A24 for about $8 million at Sundance, boosting the company’s profile.
- Montgomery notes High Frequency’s cost discipline as essential amid industry volatility.
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